Well, I recently heard a system compromised of the Wilson Audio Sabrina V ($28k), D'Agostino Pendulum integrated ($18k), dCS Lina DAC X ($15.5k), and dCS Lina Master Clock ($8k) plus quite a bit of higher end interconnects and power cables and it sounded really good. Without the cables it was $69.5k which leaves room for cables to be added.
What Does 80 Grand Get You Nowadays?
A system was playing in a shop. I sat down and pretty soon I thought gosh, I’m glad my system sounds better than this.
That system - just preamp, amp, and speakers - cost about $80,000 new.
I didn’t make the speakers at first, because Sabrinas look far better than the usual Wilson house look. They were driven by one of those new high-end Marantz amps, and I don’t think that was a match made in heaven. The Marantz was driven by a Dan D’Agostino pre that looked like a Minion had been crushed in a hydraulic press. Audiophile music was streaming, but I did not catch whence issued those dulcet ones and zeroes.
I suppose that system constitutes high-end for some. Now, it certainly sounded competent, but it also sounded boring. I thought, this is the Audi SUV of audio: competent and boring.
Conversely, I was impressed and pleased to no end that the end sound of my modest system from the last century could play in the same league as an almost-six figure modern system, and do so in a more engaging and fun fashion - to my ears, at least.
I’m biased, of course; and I am certain many high-priced systems out there leave mine in the dust. Still, I would have thought $80,000 guaranteed a better baseline sound.
How about you, have you heard a lot of gear whose sound was way out of whack with its price?
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- 184 posts total
- 184 posts total