Phono Stage with XLR outs

@lewm my apologies as I may have not been 100% clear with my previous statement. 
1. I never compared RCA vs XLR out on Whest. I decided not to play with adapters and prevent ruining my listening experience. I am using Blue Jeans Star Quad (Canare wire) XLRs from Whest into Boulder. At some point I will upgrade interconnects but I don’t see a need to do so right this minute  

2. Whest comes set up for a low MC cartridge from factory. The default setting is 100 ohm with 65db gain. I have used this to start my auditioning. I quickly realized it wasn’t optimal - gain was too much…over the top unnatural dynamics and slam, instruments were too forward and took on artificial sound. I reached out to Whest and James responded that for my cartridge, which is Hana ML, he believes the right setting would be 60db. I switched it and bam! More natural and relaxed presentation. 
3. Break in/burn in - Hana is brand new and so is Whest phono. Now with some hours on it the sound is warm, full and clear. It’s also extremely quiet. Bass is now deep and mids are smooth and lush. Highs are set back and not forward anymore. 
I have around 30 plus hours on cartridge and I never turned off the Whest except to change the gain and once again the other day to install Kimber PK14 power cord. 
I have to say that I really like the sound. It’s gotten more mature and ripe. Biggest difference is bass and how smooth it all sounds now. 
From the noise standpoint it really is like CD when a good quality vinyl record is on. 
 

@lalitk without a doubt I will explore tube phono stages! I’m anxious to try a nice balanced tube stage. I’m trying to figure out if this clearaudio table is a keeper. I might explore a better table first before I dive into phono stages. I love the Hana ML cart that’s a keeper. So we’ll see. Not sure yet what direction this analog setup is headed in. 

@audphile1 

Makes total sense. Dialing in the right turntable first will set the foundation for everything else. After three turntables in five years, I feel like I’ve finally found the one. From here, it’s just about choosing the right pieces to complement it.

The Hana ML is a fantastic start up cart to dip your toes, so you’re already starting from a strong place. Take your time with it, once you lock in the table, the right tube phono stage will reveal itself.

Enjoy the journey… it’s one of the best parts of going deeper into analog.

@lalitk thank you! Was listening last night and this setup sounds great. And @lewm I was incorrect in my assumption that the XLR outs on this phono stage are hotter. I emailed Whest and James indicated the outputs are the same.

@audphile1 What a great thread an discussion.

As luck would have it my Lukaschek PP1 started giving problems with the sound on the left channel, noticably dropping in volume comapared to right channel. This happned on Wednesday last week. This was only noticable on vinyl playback. 

So having followed this thread and you mentioning the WhestTWO.2, I started investgating. A couple seconhand units via HiFiShark available in the UK. Spoke to both sellers and got good offers, but they are around 5 years old.

After a lengthy chat thread with James Henriot, I got a great deal on a new TWO.2 Discrete - and even better that I don't have to pay the 20% VAT (only 5% when it arrives in UAE). He is also setting it up for my Sumiko cartridge.

Many thanks to you and all the others sharing input / experience 

@johannm awesome! Make sure to allow for some break in.
Whest is super quiet, extremely transparent and clear. That’s good news. Bad news it will let you know what’s going on upstream including turntable setup, how good your cartridge is and how pristine your record is.

I keep my two.2 on 24/7 ready to go. This also benefits the break in.
One other suggestion - use a high quality power cord. Doesn’t need to be ridiculously expensive. I am running Kimber PK14 on it and it made a very nice improvement - better bass, deeper soundstage. 
 

Good luck and let us know how you like it.