What Does 80 Grand Get You Nowadays?


A system was playing in a shop. I sat down and pretty soon I thought gosh, I’m glad my system sounds better than this.

That system - just preamp, amp, and speakers - cost about $80,000 new.

I didn’t make the speakers at first, because Sabrinas look far better than the usual Wilson house look. They were driven by one of those new high-end Marantz amps, and I don’t think that was a match made in heaven. The Marantz was driven by a Dan D’Agostino pre that looked like a Minion had been crushed in a hydraulic press. Audiophile music was streaming, but I did not catch whence issued those dulcet ones and zeroes.

I suppose that system constitutes high-end for some. Now, it certainly sounded competent, but it also sounded boring. I thought, this is the Audi SUV of audio: competent and boring.

Conversely, I was impressed and pleased to no end that the end sound of my modest system from the last century could play in the same league as an almost-six figure modern system, and do so in a more engaging and fun fashion - to my ears, at least.

I’m biased, of course; and I am certain many high-priced systems out there leave mine in the dust. Still, I would have thought $80,000 guaranteed a better baseline sound.

How about you, have you heard a lot of gear whose sound was way out of whack with its price?

 

devinplombier

A lot mentioned about synergy and component matching, how do you do that? Is there an app or do you have to buy a car change the suspension change the engine, change the break system then decide if it all works together. Is synergy done basically putting together like status components. There are a few obvious things you don't do like keep your power hungry speakers away from low power tube amps, but that's basic no one is really talking about that.

Powered speakers and system wide design is the future. Right now we should all be embarrassed to pay so much money for components that aren't designed for each other.

Have had it for the last 42 years.  Was featured on the Wheeler Dealers TV show.

It's all so subjective. Assuming the listening room is right there is a vast difference (to my ears) between the "Cool kids" brands and some "unpopular" ones. 

For example: I went to Audio Advisors in Palm Beach and the place was empty. It was just me and the salesman Rudy. I auditioned a pair of Sonus Stradivari- absolutely beautiful furniture and so finely made- but dull. I was heartbroken. I really wanted a pair 'till I heard them.

Then I auditioned a $500,000 system- Wilson Alexx V driven by a massive Burmester dorm room fridge and one of their preamps which was as nicely a made piece as I've ever seen. The detail and quality were stunning. But the sound was ice cold. (Aurender front end, playing Sade Paradise and the like).  The Wilsons were holographic- and stunning. However to my ear low on soul. Kind of Like a super hot chick that just has no sex appeal for some unidentifiable reason. 

Then came the shocker. Watt Puppy 50th Anniversary (apparently no really cool kids like these- they "try too hard" as one magazine wonk said) driven by some large Mac MC901s (sorry, I'm biased against MAC)  and I think an ARC Ref 6 preamp- Aurender front end and Sade Paradise again. It was warm like mom's hug. It was detailed. It was BIG. Mostly it was FUN to listen to.  And a bargain at  80K!  (ahem)

Some may chuckle and some may get offended- but this is an honest summary of my experience shopping for a dream system and how some products surprise to the downside and to the upside.