Eliminating spade connectors, upgrading bits, soldering all of it in


Sharing, fwiw. Following a practice a local upgrade colleague did inside a Class A amplifier for me, I recently did the same type of thing on a pair of custom speakers I built for myself a few years back. The idea is around eliminating the last of any low grade connections I could find to see if I could upgrade the sound a little more.  Finally got some time to do it recently, and reporting first results and questions floating around in my head now. Wished I had gotten to this sooner, actually.   

Changes:

1. Removed a quad of quality gold plated spade connectors from speaker crossovers to rear speaker terminal (bi-wire binding posts) on the back of my main audio system speakers.   

2. Removed average run of the mill brass gold plated speaker terminals you can buy at Madisound or Solen. I always intended to replace these, and finally got to it. 

3. Added Cardas Copper binding posts, two pairs, for bi-wire configuration speaker connections to replace the prior pairs just removed. Sat in boxes a few years...

4. Soldered everything back together with Cardas solder thus elminating all prior quality gold spade connectors, internal speaker wire soldered directly. All spades eliminated. 

5. Also noting these new/better and more secure connections from my existing Cardas speaker cables to the new Cardas binding posts just installed

1st Listening Day:

Wishful thinking or not, I've been listening for a while, and something became immediately apparent now in question.  Woah, is it actually smoother on top and is the detail down into the upper midrange actually coming through with a little more and nicer "texture" now?  I could attest it seems like I can hear a little bit more "out there", too nah, really, hmmm. Really liking the added change with tone/texture. Puzzling.  

Setup - first testing with my Class A 50 watt solid state amplifier, and can say its already approching the smoothness of my tube amps in terms of tone, texture, and how it reveals details in a smooth way. The prior connections were good, nothing wrong, well crimped, I checked all of it before converting everything over. 

I really was NOT expecting this type of change, kinda scratching my head.  Its caused me to pause letting go of some of this gear too.

I'm not sure if anyone has encountered this kind of change with such [seemingly] small changes. Hmmm. Should have known better, my prior pair of speakers had everything all soldered in like this with no spades.  Maybe just a few weak links I had. Okay, just sharing in case anyone wants to comment or debate it at all. :) 

 

 

decooney

@gdaddy1 "Is it measurable" and "is it audible" are two very different things. That's why I like ASR putting measurements in relation to threshold of hearing.

@oberoniaomnia  

"Is it measurable" and "is it audible" are two very different things.

 "Is it an improvement?"  Yes and it's not just one connection, it's lots of them. 

@gdaddy1 The number of alterations does not indicate the audibility. And the changes may also be negative (remember two-tailed distributions in statistics?). If change is audible, great. My point stands that measurability ≠ audibility. E.g. S/N ration of -130 dB is better than -120 dB, but it is irrelevant as threshold of hearing is around -90 dB, if memory serves me well. 

If change is audible, great.

Not all audible changes are great. People said that some sound changes force to upgrade audio systems. I agree it. Removing metal connectors is removing veils. (**Only little parts of veils are from metal connectors.) Almost your systems' mid-range (human voice) is far behind the speakers. What hitting you right in front of you (for forward sounding systems) is veils, not the voice. At least, these veils pretend like the system's sound forward and you feel the music is fuller and punchy. So, don't go too much with removing connectors before the sound is weak and boring. Again the connectors are small portion of what makes veils. Alex/Wavetouch audio