Garrard 301 - Project


I have been contemplating for a while which turntable to pursue given so many choices. Every time I look around, I just can’t help drooling over a fully restored Garrard 301 or 401. Aside from being an idler-drive, I keep reading and hearing about their unique ability to reproduce music with its sense of drive and impact thus making them very desirable to own. And with available meticulous restoration services and gorgeous plinth options, what’s not to like, right!

Would you please share your experience, good and pitfalls (if any) with a restored Garrard 301 to avoid before I go down this path.

And what about the IEC inlet and power cord, would they be of any significance. My two choices would be Furutech FI-09 NCF or FI-06 (G) inlets.

I have already purchased a Reed 3P Cocobolo 10.5” with Finewire C37+Cryo tonearm/interconnect phono cable with KLEI RCA plugs option.

Still exploring Cart Options, so please feel free to share your choice of cart with Garrard 301 or 401.

And lastly, I would like to extend my gratitude to @fsonicsmith, @noromance ​​​​@mdalton for the inspiration.

lalitk

A friend has a Woodsong Koa plinth for a 401.  That is beautiful, albeit expensive, wood.  

@larryi 

I agree with you on the mutual admiration for Hawaiian Koa — it’s nothing short of stunning. The way the grain catches the light and reveals such depth is truly special. Whether it’s on a 401 or a 301, it brings an undeniable elegance and soul to these classic machines.

Expensive, no doubt. I approached the Woodsong plinth as a “one and done” upgrade. The DAS plinth, while very respectable for the money, still left quite a bit on the table in terms of both performance and aesthetics. The Koa build, on the other hand, feels like the complete package — something I can live with long-term without second-guessing.

My local shop, Deja Vu Audio, makes their own horn-based speaker systems.  A customer ordered Koa veneer for the finish of his speakers.  The cabinet builder had enough leftovers to finish two plinths in koa.  The owner of the shop kept one, the other went to an employee for his Thorens 124 table.  Unlike Woodsong and Artisan Fidelity, Deja Vu prefers lighter wooden plinths (simple boxes) because the sound is livelier.  But they have made heavy plinths for customers preferring that kind of plinth.  Although most of their customers speakers and electronics employ very old vintage parts and their favored tables are vintage idler tables, they don’t use vintage arms on their tables.

@larryi 

That’s really interesting — I didn’t know Deja Vu leaned toward lighter plinths. Artisan Fidelity also makes lighter plinths with single tone arms. I honestly didn’t care for those given the asking price…when you’re spending four figures It makes sense (to me) to go all out. I can see why some would prefer a more lively presentation.

I’ve seen plenty of 301s with vintage arms like the SME 3012, and they definitely have that nostalgic appeal. But once you step into a Woodsong or Artisan Fidelity rebuild, it’s a whole different world. Pairing the 301 with modern arms like Reed, Schroeder, Graham, or Acoustical Systems takes the table into another league altogether. The energy, precision, and musicality these arms unlock is just breathtaking — it’s where vintage charm truly meets modern excellence.