How does Analog Magik measure “distortion”? And what kind of distortion does it measure? Thx.
Garrard 301 - Project
I have been contemplating for a while which turntable to pursue given so many choices. Every time I look around, I just can’t help drooling over a fully restored Garrard 301 or 401. Aside from being an idler-drive, I keep reading and hearing about their unique ability to reproduce music with its sense of drive and impact thus making them very desirable to own. And with available meticulous restoration services and gorgeous plinth options, what’s not to like, right!
Would you please share your experience, good and pitfalls (if any) with a restored Garrard 301 to avoid before I go down this path.
And what about the IEC inlet and power cord, would they be of any significance. My two choices would be Furutech FI-09 NCF or FI-06 (G) inlets.
I have already purchased a Reed 3P Cocobolo 10.5” with Finewire C37+Cryo tonearm/interconnect phono cable with KLEI RCA plugs option.
Still exploring Cart Options, so please feel free to share your choice of cart with Garrard 301 or 401.
And lastly, I would like to extend my gratitude to @fsonicsmith, @noromance @mdalton for the inspiration.
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- 379 posts total
Check out my virtual system. Agreed! |
Couple of updates, 2nd tonearm is going to be GrooveMaster IV with rotary lift base and titanium head shell. Also ordered, Acoustical Systems Helox clamp to complement Artisan Fidelity hybrid platter + bearing, thanks @jperry for your recommendation. As far as cart, top two mono picks right now: Murasakino Sumile-mono vs Miyajima Zero or Infinity. I liked the GrooveMaster IV as 2nd tonearm, but I’m wrestling with whether the Sumile’s resolution and dynamic capability would outpace the GM IV (i.e., make it the bottleneck). @mikelavigne, you’ve chosen Sumile over Infinity — would you say it’s worth the jump, or is Miyajima Zero the smarter match for GrooveMaster IV? |
- 379 posts total

