@audio-b-dog , @tyray :
Here’s a sample of Lew Tabackin on flute.
https://www.youtube.com/watch?v=qfyT25pJmOU&list=RDqfyT25pJmOU&index=1
Jazz for aficionados
@audio-b-dog , @tyray : Here’s a sample of Lew Tabackin on flute. https://www.youtube.com/watch?v=qfyT25pJmOU&list=RDqfyT25pJmOU&index=1
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I don’t know if I can agree with you on that, as so many jazz musicians, including flutists have classical training. And that’s the very reason why I posted this André Previn post earlier on this and another thread: André Previn was a well respected concert musician as well a well respected jazz musician. Did some folks from both camps hold it against him for crossing (over) into both genres, yep and thank goodness he didn’t listen. There are many classically trained musicians that play jazz we can think of even the most recently discussed artist here on this thread including but not limited to Esperanza Spalding, Stanley Clarke, Joe Farrell, Hubert Laws, Chick Corea were classically trained....
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I agree with @tyray . Moreover, it is a mistake to somehow attach superiority of expressiveness, swagger, whatever, to Jazz musicians as compared to Classical musicians. Two different genres with very different sensibilities which are what define expressiveness or swagger in each genre. Great Classicical musicians play with every bit as much “swagger” as great Jazz musicians. It’s just a different type of swagger. Even the best Jazz musicians playing Classical music typically sound just as out of place playing Classical as do Classical musicians trying to play Jazz. And the difference is a lot more than just tone. |