Are there any recording artists you just can’t listen too?

@mylogic , I had always associated Spaghetti Westerns with Lee van Cleef and a kind of trademark music that was frequently played.  (Was Clint East frequently in Spaghetti Westerns?)  The Good, The Bad And The Ugly is a title I remember well (I frequently refer to my three dogs as the good, the bad and the ugly), but I cannot remember anything about it, so obviously it made no impact on me.

As far as westerns go, in the late '60s and early '70s when I was quite young (and when we used to frequently play Cowboys and Indians) I used to enjoy going to see the rather generic westerns that were being made at that time.  I outgrew them probably before I grew into puberty as it didn't take long before they struck me as quite unrealistic.

But I don't mean to imply that I don't like all westerns; for a long time Pat Garrett And Billy The Kid was one of my all-time favorite movies of any genre, and I think Tom Horn is a pretty good movie even though I am not a huge Steve McQueen fan.

@immatthewj  Spaghetti and Macaroni Westerns.

The Japanese called the Italian westerns “Macaroni Westerns”

Clint Eastwood was in the first 3 Sergio Leone (all co productions with other countries) westerns. A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly. The first was a huge success and the Italian Cinecitta Studios in Rome churned out so many in Europe. Clint Eastwood’s career finally took off “after” these films.

You mentioned Lee Van Cleef. He had retired from acting before Leone convinced him to return for the second film in the “Dollars” trilogy. He then became a bankable leading man internationally, something he never achieved in Hollywood. The Big Gundown was the first followed by Death Rides a Horse (with John Philip Law) Day of Anger, and later two of the SABATA Trilogy amongst many others.

Over 500 European co-produced spaghetti westerns were made and only a select few distributed into the US. In the UK they were more popular with the best becoming supporting films as part of a double bill. Most of the output was criticised and demonised as too violent and broke all the traditional Hollywood rules. “Django” (1966) was refused a certificate in the UK because of the ultra- violence. The west was shown dirty, ruthless and crude. Tarantino remade the Franco Nero “Django” and even reused some original  music. Franco Nero was also invited back playing a cameo role.

Most Italian westerns gravitated towards a Mexico boarder area theme which reflected some European understandings and culture (for the Spanish) and became quite political in narrative.

Off topic, but you asked for more info ✔️

Brian Wilson for the next , Please....

@asvjerry  Brian Wilson

…. back on target. Good point……Shoot!
 

I expect you mean for the  “Good”, not bad or ugly……?

@mylogic ...No, just for the short term....
He's dead, yeah, somethings were brilliant....
....but the guy has the final release from all the bs and chat that he had to ignore with a tortured soul....

I can relate.

Of more import and relevance is the moron in the WH who expects his birthday bash to make us take a knee to him.

I'm pissed the kid missed.

End of line.

See you on the sites on the 14th, or go f yourself.