@tvad thanks for your kind words and advice. I will try the M1 network’s card, for sure. I will also try using the unit as a pre-amp and possibly free up another component as well. It is definitely a quality piece of equipment.
Have a great weekend!
Back to the DAC
Just a bit of an update. When I inquired about a DAC upgrade in a recent post, it was suggested that I look at upgrading my cables first. Since then, I have done so (see my virtual system for that). Not over the top stuff, but a definite improvement over the mostly stock, generic cables I originally had.
System is sounding pretty darn good, but like most of us, you always wonder what a more expensive DAC will offer in the way of sound quality improvements.
Many of the recommended, higher priced DACs seem to include streamers and/or offer pre-amp capabilities. I have a good streamer and pre-amp and really don’t want all those components in one box.
Have any of you experienced a DAC which offers the sound qualities of highly praised units like the Mola Mola Tambaqui, DCS Lina, T&A 200, Weiss DAC501, etc. which their only function is a DAC?
@tvad thanks for your kind words and advice. I will try the M1 network’s card, for sure. I will also try using the unit as a pre-amp and possibly free up another component as well. It is definitely a quality piece of equipment. Have a great weekend! |
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For my DAC, I was using the DAC in my McIntosh MA 8950 integrated amp. It worked well with my Polk Audio R700s. But then I got a pair of Klipsch Cornwall 4s. They would sound outstanding on some recordings but on a lot of material they would sound hard or bright. I tried positioning, cabling etc..Most owners say you need tubes with these speakers but I didn’t want to mess with a tube amp because my stereo is also tied in with tv and its apps. I thought I would try tubes in the chain somewhere though so I got an affordable tube DAC ,the Black Ice FX DAC. I put some $400 Mullards in it from Kevin Deal (Upscale audio). That really did the trick. Now the Cornwallis sound great, no listening fatigue at all. I really love this DAC. But realizing how much a DAC move improved my system, I thought about trying more highly regarded DACs to see if I can improve it even more. I ended up ordering the LAiV Harmony. I wanted to try the Audio Mirror Tubadour V but wasn’t sure about spending $7500. I also considered the Canor DAC 2.10 @ $4000. Both tube DACs. If for some reason I do not like the Laiv, I will look into getting one of those two. The LAiV ships at the end of June, they had already sold out of their first production run. |
I thought I would provide my first week’s impressions as a new owner of Bricasti Design’s M19 SACD transport and M21 DAC. Let me initially talk about the M19 by itself. I connected it via a Kimber Orchid AES/EBU digital cable to my Theta Digital Casablanca V, which incorporates Theta Digital’s highly-regarded DAC cards; their $5K "Extreme III" card handles the left and right channels. From the very start, I was astonished. Frankly, I bought the M19 just to be able to send the DSD layer of SACDs to the M21 via Bricasti’s proprietary I2S connection. That said, I really did not have any serious expectations for improved CD-based sound. Was I ever surprised! The clarity was dramatically better. I can only describe my reaction as being akin to opening the door to 38F mountain air -- the immediate sensation of crisp and clear. I am still amazed, and I must contribute this effect to the superior mechanics/electronics/optoelectronics of the M19 compared to my prior two excellent transports - a Wadia 8 for CDs and a Theta Digital Compli for SACDs. Next, I streamed some tracks using the M21 (and its integrated network card). Instantly, I detected better detail, a wider soundstage, and much more depth than my prior Lumin T2 had delivered. These same effects were obvious when listening to various CDs and (to a lesser extent) SACDs. This combination of M19 and M21 was, for me, very costly; together, the total MSRP was $26,500. Nonetheless, again -- for me, buying them was worth it. They are an "end game" purchase, particularly since I am now 78 (but, somehow, still with pretty good hearing). Putting together a really good audio system, especially without easy access to audio equipment dealers requires a lot of diligence and some luck; I have been very lucky because my new digital system was the missing link, and, with it, the sound in my dedicated listening room is now, well, fabulous.
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