Jazz for aficionados
@mahgister Here is an interesting Charles Lloyd article. Lloyd got his start with the great drummer Chico Hamilton's quintet. It has a list of recommended albums of the best Charles Lloyd collaborations with the Chico Hamilton Quintet. Charles Lloyd: Defiant Warrior Still On Song article @ All About Jazz Here is one of the suggested albums on the list. It features the great Hungarian guitarist Gabor Szabo as well
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@ho249 That Miroslav Vitous session is great. At that time (late 60s I believe) Vitous, IMHO, was a great bass player and composer/arranger. The album Mountain in the Clouds was originally released titled Infinite Search. Vitous later became a core member of Weather Report. Here is another really good session by Vitous
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Thanks it really interested me ...😊 I will go for a hunt ... I am already buying some ... My honored salutations and thanks for your helping ears ...
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... and yet another is "Journey’s End" on ECM with John Surman. YouTube only has one track: https://www.youtube.com/watch?v=wRyDDBeOWCA&list=RDwRyDDBeOWCA&index=2
BTW, have there been previous discussions of John Surman, here?
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Only Bill Evans for me rival Montoliu by far ... Yet he is not American then not well known as it is a genius pianist ... ( Keith Jarrett in third in my best of jazz pianists) As for Evans i can listen to him without fatigue... I own 50 albums on the 100 available ... Why this musician is not more well known here in America ? https://www.amazon.ca/Beyond-Sketches-Spain-Montoliu-Construction/dp/0197549284 Beyond Sketches of Spain: Tete Montoliu and the Construction of Iberian Jazz by Benjamin Fraser
«No musician did more to shape Iberian jazz than pianist Vicenç Montoliu i Massana (1933–1997), who was known simply as “Tete.” Reflecting his fascination with the modernist aesthetics of mid-century jazz, Tete Montoliu was known for his quick fingering, his carefully crafted mix of lyricism and dissonance, his penchant for discordant crashes, and his development of highly original compositions. He boasted some 100 recordings spanning Denmark, Germany, Holland, Spain, and the United States, and performed with the most notable jazz luminaries, including Lionel Hampton, Rahsaan Roland Kirk, Dexter Gordon, and Archie Shepp. Acknowledging and drawing musical inspiration from the Black American jazz form, Tete fashioned an adjacent critical space shaped by his experiences as a Catalan and a person with congenital visual impairment living under the dictatorship of Francisco Franco. Beyond Sketches of Spain: Tete Montoliu and the Construction of Iberian Jazz explores the artist’s life, musical production, and international reception within a cultural studies framework. This book moves beyond mere sketches of Spanish nationhood to challenge conventional scholarly narratives and recover links between the United States, Barcelona, Catalonia, Spain, and Europe in the investigation of an impressive and often overlooked transnational modern jazz legacy. Eschewing Theodore Adorno’s denigration of Black American jazz, a more compelling model is found in Fumi Okiji’s notion of gathering in difference. In this work, Benjamin Fraser deftly mixes musical biography with urban history, spatial theory, and disability studies, fashioning a highly readable text for readers from all disciplines. |
