Some observations from a former skeptic - and a question


I had been firmly in the camp that power cables made little difference.  A few years ago, I purchased an AQ Niagara 5000 (very nice improvement by itself BTW) and had auditioned various power cables with it.  Nothing too fancy but I found differences difficult to perceive so I just used AQ Monsoon cables. However, I continued to read how others felt power cables had the most impact which I found curious. 

I recently decided to move the Niagara to a system in another home and was planning on getting another Niagara 5000. My local dealer (who carries both AQ and Nordost) suggested I try the Nordost QB 8 MK III which he claimed to be a notable improvement over the MK II variant.

I compared the Nordost and Niagara in home and found them different but not dramatically so. The Nordost I thought a bit more dynamic, the Niagara a bit “blacker” in background.

The same dealer was surprised and suggested we do an In-store demo of power cables going into the QB 8 (great move by the local dealer!).

And there it was. The benefit was clearly there in improved spatial cues - the better cables were more “open”. I tried the same thing in my system - and same result. Unfortunately, power cables do matter. I will note that the AQ Niagara - as much as I liked it (and it was the first conditioner that I heard that made a big difference) - was somewhat negating the impact of the higher end power cables (a nice benefit in hindsight). 

Power cables don’t make as much a difference as interconnects or high quality digital cables (to my ears, in my system) but the benefits are there depending on your budget and appetite for going down the proverbial rabbit hole. 

As an aside, despite Nordost’s claim otherwise, the dealer and I both found the cable from the wall to the QB8 the least impactful and the cable(s) from the QB8 to the amp and source most impactful.

My system now is mostly Valhalla 2s (interconnects and A/C from QB 8 to components. I never expected to get here given my previous experiences.

I need one more A/C cable to complete my loom - for my processor (part of my digital stack). I auditioned a Tyr 2 and it made a notable difference. Unfortunately.

My total expenditure in cables is now equal to the cost of the rest of my system which seems crazy on the surface, but the results have been really rewarding - and more audible than most component upgrades. 

Which leads me to a question: 

How does this group think an Odin 1 (several available on this website) would match with my Valhalla 2 loom? I’m gathering many users feel that Valhalla 2s are > Odin 1s.

I could just stick w/ Tyr 2 on that unit though the cost differentials are not that great between new Tyr 2 and used Odin 1, but Valhalla 2s are up there.  

Thoughts?

 

 

 

 

mgrif104

science fanatics

Sheesh. Just listen to yourselves. Without science, you’d be in a cave or a tree, not trying power cables.

You may be right that science hasn’t yet discovered why power cables matter. But this anti-science BS is right up there with sacrificing virgins to volcanoes. No, the latter actually makes more sense.

As an aside, some of the ASR folks are no more reasonable than some of the posters here and I’ve had similar debates with some of them. But don’t blame science. There are extremists on both sides.

I thought I’d close the loop on this. I decided to purchase an Odin 1 cable (from an authorized dealer - it has a warranty) to complete the loom.  I have it going to my amp with the Valhalla 2s going to everything else.

I haven’t done an a/b comparison so I can only speculate here. Placebo or not, the system is sounding very, very good - better than I remember it.

It has me now thinking about my digital cables again. I had previously upgraded the digital cables between my streamer, processor and DAC to Audioquest Thunderbird. Now that I’m in the Nordost ecosystem, I should probably audition the Valhalla 2 digital cables. 

I’ll report back later.

Don’t laugh, but several here have been highly impressed by this company and their silver cables.  Thinking if you have the $$$ to spend on a Valhalla digital cable you probably have $162 to try this pure silver digital cable first and then compare it to the Valhalla — if you still feel the itch.  Heh heh.


https://www.aliexpress.com/item/1005003382668063.html

@mgrif1

I appreceiated reading your wonderful post.  I had paid little to no attention to cables in my system [Ayre KX-R & VX-R, Luxman D-10x, Aurender W20SE, Sonus Faber Il Cremonese + 1st gen Nordost QB8] until a friend told me about the Audioquest Dragon interconnects.  I bought 2 pair in May '23 and the improvements in clarity, tonal detail and soundstage were impressive. That led me on a path to upgrade all my cables over the next 2 years.

I now have a complete Nordost Valhalla II loom [analog & digital] with the exception of the Dragon interconnects.  Power cables certainly improved details and backgrounds went totally black.  The improvement from the speaker cables we less in magnitude vs the PC's but there were audible changes.  I have upgraded to the Nordost QB8 Mk III as well as the Nordost QNet7 internet switch.

I am not sure if the improvements I noted with the Dragon interconects would have been as dramatic if I had previously upgraded my PC's and Speaker & digital cables.

This year I changed out the Ayres & Luxman [sold all my CD's] for a Soulution 760 DAC and Soulution 711+ Stereo amp.  This has been the most significant upgrade in my system in the past 20 years.  Here is an extract from my critical listening notes:

  • Three dimensional in a much larger way … soundstage width, height & depth.
  • Bass is deeper, tighter … the amplifier has total control.
  • Cymbals and hi-hats shimmer … no « crashes ».
  • Voices and instruments have more details and sound fully fleshed out … rounded?
  • It’s hard to read or do anything else when music is playing … must stop, listen and become totally engrossed with the music.
  • Easy to locate and differentiate individual instruments even with big band pieces.
  • Dead black silent background.
  • Transients are crisp, detailed and enhance a lifelike representation.
  • More bass with tons of definition and grip. 
  • Drums, especially quick transients on cymbals or hi-hats are lifelike.