Low level listening


I am interested in everybody's thoughts on speakers on low level listening. Currently I have Tekton Lore's. They are the upgraded model and I like them, but they open to most of the time at a higher volume then I'm comfortable with. Smart me had to much fun listening to live music. " tinnitus".  I have ordered Magnapan LRS+ which I auditioned at my home which seemed more articulate at lower volumes. Any other ideas would be appreciated. Speakers or cures ? Just kidding about cures. 

128x128bobdavid

I to thank everyone for their feedback. My system consists of a Audiolab 6000 CDT into a Schiit Bifrost 2 into a Schiit Freya+ into Schiit Lokius to Class D Cherry STM amplifier with 60 volt seperate power supply. It output of 200 into 8ohms, or 400 watts into 4 ohms with Tekton Be Lores. I also have Rythmik  F12SE sub. In seeking idea's I am by no means stopping my order for the LRSs, i'm just seeking knowledge which I certainly appreciate. The Maggies when I auditioned at home over a weekend for lack of a better word had more presence. The image was more defined, and that was with there stands not the Magna Risers

@bobdavid , you have the Lokius so you are set up for playing with equalization for better low volume listening no matter the speakers.

@thespeakerdude Actually it is physiology not biology. Either way, I'm not disputing your chart. 

I'm disputing the claim that low levels will "never sound right" (good/enjoyable?) until you get to 100dB. 

Sounding "right" is subjective and I spent a lot of money getting my system to sound "right" to me, with documented hearing loss, at 85dB or less, in a relatively large room.

OP your audiogram may provide some insight - for me the loss was 750-4KHz 40-60dB.

Basically vowels and made worse by the generally softer female voice. So I flash the report to my wife every once in a while.

Macg19. Sorry I wasn't clear. What I meant is our ear's balance changes with level. The louder we listen the closer lows and highs are to the mid levels. But this doesn't imply we should listen at 100dB. But the nearest to correct balance(assuming good recording engineering) will occur when the level at one's ears is the level the recording was balanced at. But complicating that is how linear level changes are in a system(due to speaker dynamic linearity and the relationship of amp/speaker and to some degree the rest of the system. If it's right at one level and the system compresses above that it will be wrong at higher levels.

Anyway listening at the ear at low levels makes the bass and treble sound lower than they were recorded at relative to the mids.