Implications of Esoteric G-0Rb atomic clock


The latest TAS (March 2008) has an excellent piece by Robert Harley: a review of the Esoteric G-0Rb Master Clock Generator, with sidebars on the history and significance of jitter. This Esoteric unit employs an atomic clock (using rubidium) to take timing precision to a new level, at least for consumer gear. It's a good read, I recommend it.

If I am reading all of this correctly, I reach the following conclusions:

(1) Jitter is more important sonically than we might have thought

(2) Better jitter reduction at the A-D side of things will yield significant benefits, which means we can look forward to another of round remasters (of analog tapes) once atomic clock solutions make it into mastering labs

(3) All of the Superclocks, claims of vanishingly low jitter, reclocking DACs -- all of this stuff that's out there now, while probably heading in the right direction, still falls fall short of what's possible and needed if we are to get the best out of digital and fully realize its promise.

(4) We can expect to see atomic clocks in our future DACs and CDPs. Really?

Am I drawing the right conclusions?
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I believe this is defined more by the time-base("atomic accuracy" as determined by atoms within an element shifting between discrete states of energy) than it is by the element per se. Clocks with atomic accuracy can utilize Rubidium, as stated by European Space Agency in its description of the Galileo satellite:

"The Galileo satellites will carry two types of clocks: rubidium atomic frequency standards and passive hydrogen masers. The stability of the rubidium clock is so good that it would lose only three seconds in one million years, while the passive hydrogen maser is even more stable and it would lose only one second in three million years. However this kind of stability is really needed, since an error of only a few nanoseconds (billionths of a second) on the Galileo measurements would produce a positioning error of metres which would not be acceptable.

An atomic clock works like a conventional clock but the time-base of the clock, instead of being an oscillating mass as in a pendulum clock, is based on the properties of atoms when transitioning between different energy states.

An atom, when excited by an external energy source, goes to a higher energy state. Then, from this state, it goes to a lower energy state. In this transition, the atom releases energy at a very precise frequency which is characteristic of the type of atom. This is like a signature for the type of material used. All that is needed for making a good clock is a way of detecting this frequency and using it as an input to a counter. This is the principle behind an atomic clock.

The transitions between energy states can take place by releasing or absorbing energy at optical or microwave frequencies. An atomic second corresponds to 9 192 631 700 counts of the frequency of the energy detected in the transition of the Cesium 133 isotope when exposed to suitable excitation."
The new dCS Scarlatti sepearte clock generator has got an option where you can put an antenna on the roof and syncronize the clock with the international world clock by sattelite.
I thought we were talking about the international atomic clock which keeps the official time. That is not a rubidium oscillator but a caesium oscillator. There is now however a new invention unveiled a couple of days ago which breaks new ground.

http://www.telegraph.co.uk/earth/main.jhtml?view=DETAILS&grid=&xml=/earth/2008/02/14/sciclock114.xml
This type of product is already obsolete and I am sure that many audiophiles aren't even aware of it. We are on the verge of a imminent change to USB driven computer front ends that will sonically outclass the traditional CD transport and D/A converters here. Even the cost no-object "Uber" technology products. Here is a short understanding to why: once a CD is properly converted to a computer hard drive (with a true lossless format) there just isn't a need for something like the Esoteric "Superclock". With the hard drive containing the music data in a much purer form, it can then be sent to a USB D/A converter, via a USB cable, without the overlying clocking issues that creates such a headache sonically, i.e. a much purer methodology. In this new methodology, only one decent clock (read not overtly expensive) will be needed inside the D/A converter itself (instead of one at the tranport then another "Uberclock" at the other end attempting to "fix" and "massage" very ugly timing issues). Therefore, in an excellent designed USB D/A converter being driven from a hardrive without the ugly timing issues. We will be able to say "Goodbye!" to typical transmitted jitter problems. Say "Goodbye!" to transport differences! Say "Goodbye!" to CD treatments! And finally, say "Goodbye!" to high dollar "band-aids", uh..errr..."Superclocks" - (such as this Esoteric). We are on the precipice of a very exciting breakthrough with some new upcoming USB dacs that will sound much more analog than most of us have ever imagined. Sorry Esoteric, I'd really like to give you credit for this "breakthrough", but in my opinion, the true sonic breakthrough in digital will be in USB connected products that don't even need a clock such as this.