@cd318 indeed. This Fletcher-Munson curve has been discussed on here several times. Hence the need (if we are honest) for either an EQ or what used to be termed a "Loudness Button" that would compensate for how the human ear perceives the frequencies below and above that critical 3KHz-4KHz range.
We all know there are budget components, midrange components, high end components, and cost is nearly no object components and manufacturers try to hit those ranges depending on what market they think they are serving.
But there is much overlap between many of these devices, and of course a diminishing return as you go up the food chain from midrange to high end.
If you can get good sound quality with a system costing $15K and you have to spend $30K or more to hear a slight difference in sound, it is up to the individual how much it is worth to them to get that last 5% and whether or not it will ulitmately make them enjoy listening to music more. That's just it. As noted by others, there are two extremes of audiophiles: Ones who appreciate listening to the music and what the artist is conveying sonically that causes an emotional response, and the others who are listening to their equipment and how it is performing, with most falling somewhere between those extremes.
It's like DACs. It seems we have those who are just fine and happy with good quality chip-based sigma-delta DACs and those who think anyone calling themselves an audiophile HAS to have an old school architecture R2R DAC. Well, maybe.
Where does "MidFi" differ from "HiFi" or "LOFI"?
Given the vast range of product and costs thereof in this industry, I'm curious where the "break points" are between levels of fidelity? Equipment can range from $100's to $100,000s+, so where is "MIDFI" vs. "HIFI"?
The ear hears from a range of 20-20,000HZ, but mid-range is certainly not at the 10,000HZ level.
just curious what you all think.
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- 78 posts total
- 78 posts total

