Why HDCD did not become a dominant format?


I've been listening to Reference Recordings 30th Anniversary Sampler while evaluating a Sony NS 9100ES and it was so obvious the HDCD decoding through my modest older Toshiba SD 9200 was "vastly" superior to the new Sony playback. I just don't understand why HDCD did not become the new standard as the musical quality is much enhanced. What happened?
psacanli
XRCD, Yeah I wanted to order a couple but at over 30 bucks shipped normally, and that seems a bit of a risk considering not that much essential music (for me anyway) is produced on them.. Oh well maybe one day I will give them a shot, but there is only like one title I saw that really interested me, I am mostly a rock listener.
You want a great player which is HDCD capable and supported by a superior aftermarket tech service? Find yourself an EAD 2000. It is built like a tank, musical as all get out, and can be had for around $800 on Audiogon. I own the EAD 2000 as well as the Naim CDX...while the Naim may be a bit more resolving, the EAD is the player that I listen to day in and day out, and the one piece of equipment that I would never sell. It does HDCD right.

By the way, there was a great point made about Licensing. Pacific Mirosonics believed at one point that they would be in the drivers seat...but companies like SONY are not big on paying licensing fees to small companies when they can find ways to create their own proprietary technology...marvels like DBX. Once Microsoft had the rights, nothing was going to stop Gates (who owns 30% of Apple) from supporting the Ipod movement.
Two comments:

First, not every high-end CD player included HDCD decoding. Playing an HDCD disc on my former moderately priced CD player was a great improvement, but I wonder the degree of improvement with a very expensive CD player.

Second, I really enjoy the Redbook CD remastering on Hybrid SACD's. Yeah, the SACD layer probably sound better [I don't own a SACD player], but the Rebook mix is outstanding!
Thanks all. Mcpody, I appreciate your info and the EAD 2000 may sound great but I am unwilling to take a chance on the inevitable breakdown for which parts may no longer be available. To my certain knowledge this is already affecting maintenance/repair of some extremely well known and highly regarded units from very established, reputable companies - that are still in the CD reproduction business in a 'very' strong way.
Neither my Sony 9000ES nor my 9100ES process HDCD, but Reference HDCD discs sound great on my system. Could it be Reference recordings and not HDCD per se' that are so good?

db