DAC Shootout Starts This Weekend


Okay...in another thread I promised to do a side-by-side evaluation of the Audiobyte HydraVox/Zap vs the Rockna Wavelight. Due to the astonishing incompetence of DHL this has been delayed. At the moment, I have a plethora of DACs here and am going to do a broader comparison.

I am going to do a compare of the Rockna Wavelight, Rockna Wavedream Signature, Audiobyte HydraVox/Zap, Chord Hugo 2, Chord Hugo TT2, Bricasti M3, Bricasti M1 Special Edition, Weiss 501 and the internal DAC card for an AVM A 5.2 Integrated amp as a baseline.

For sake of consistency, I am going to use that same AVM integrated amp driving Vivid Kaya 45s. I may branch out and do some listening on other speakers (Verdant Nightshade of Blackthorn and/or Wilson Benesch Vertexes) but want to use the Vivids for every compare as they are the fullest range speakers I have here. For sake of consistency I will use a Chord 2Go/2Yu connected via an Audioquest Diamond USB as a renderer. The only exception is the Hugo 2 which has a 2Go directly attached to it. I will use a Roon Nucleus+ as a server in all cases.

My plan is to use the same five songs on every DAC; In a Sentimental Mood from Duke Ellington and John Coltrane, Be Still My Beating Heart from Sting, Liberty from Anette Askvik, Duende from Bozzio Levin Stevens and Part 1 of Mozart String Quartet No 14 in G Major from the Alban Berg Quartet. The intent is to touch on different music types without going crazy.

I will take extensive notes on each listening session and write up a POV on the strengths of each unit. I am going to start this this Friday/Saturday and will be writing things up over the next month or so. If you have thoughts, comments or requests, I will be happy to try and accommodate. The one thing I am not going to do is make the list of songs longer as that has an exponential impact on this and make everything much harder. If and when other DACs come in on trade I may add to the list through time.
verdantaudio

The Jadis JS1 MKV is here and it is stunning.  This is a two chassis unit with an external power supply.  The external supply is slit into two parts, one for analog circuits and the other for digital circuits. 

The unit uses AK4497 DAC chip and uses 2 ECC82, 2 ECC88, 1 EL84 and 1 EF86 tube.  The first thing you note is that this DAC is not tubey.  It is not warm and gooey.  This is a reference level unit that is quite competitive with the Rockna and Playback.  It does not have a preamp stage, no streaming or rendering and no MQA support.  DSD is native to 256 over USB.  

The detail is incredible.  The tiniest a hair below the Wavedream Signature and Edelweiss, it did not show up in the five song test.  As a matter of curiosity, I listened to a 24/192k version of Miles Davis's Kind of Blue and the micro detail in the plucking of the string bass in the opening is not quite as precise as it is in the Playback but short of that, it is stunning.  On this same test the Jadis is slightly clearer than the Weiss.  

On In a Sentimental Mood, drum rolls are crisp and there is good separation.  What is shocking is the soundstage.  The image is as deep as the Playback.  The instrument separation is as good and the image is rock solid in terms of stability.  The width of the image is absolutely off the charts.  It is every bit as big as the Rockna image.  Without the Signature here I can tell if it is bigger.  

The soundstage on Be Still My Beating Heart is Massive.  The image is deep and wide.  The bells are clear.  Sting's voice lacks sibilance.  It is just enjoyable.  On Liberty, effects are coming from where they should.  The image is large.  Here voice is not bright.  It is in your face where it should be without any glare.  

On Duende, instruments are true.  Separation between notes is flawless.  There is no distortion in the opening bass notes.  The image holds together as the song gets more complex and there is no localization at the speakers.  

There is no massing of strings on the Berg piece.  It sounds big though and the intimacy of a quartet is lost a bit.  This is unsurprising and very simply a compromise that one must make.  Full orchestral pieces sound right.  

What doesn't come across in the above notes is that like the Playback, there is this sense of rightness and musicality that makes you forget that you are listening to a system and not just listening to music.  This is a challenge while evaluating equipment and the temptation is to simply deviate from the test.  I literally loaded four other songs while I was doing this because I wanted to hear them.  

The unit, despite being tube based, is slightly more bright/forward than the fully broken in Playback. Is this the best DAC I have ever had in my system....maybe.  It is tight between the Rockna, Playback and Jadis.  If you are looking for a no compromise unit, this should be on your list.   

Based on this highly impressive listening experience with the Jadis JS1 MKV I'd love to hear it in comparison to the Aries Cerat Helene DAC. No doubt that one could not go wrong with either. Thanks for posting @verdantaudio .

Charles

I would love to get an Aries Cerat in.  I think that would be a super interesting comparison between it and the Jadis.  Not likely to happen immediately but a brand I would be happy to carry. 

interesting and fun seeing reading the stereophile review on the jadis by alex h... i feel the same way about my audio note dac 4.1 -- no doubt that well executed vacuum tube regulation, rectification, output does add some special sauce...

I’ve owned the top Rockna Dac and also the Mola Mola Tambacqui.  They are very good (I would not hesitate to own the Tambacqui again as it’s an extremely pure sounding Dac for solid state).  However they are handily beaten by Aries Cerat.  My buddy has the AC Kassandra which is incredible…