Physics Question: Why does cabinet volume matter so much to bass response?


If you put the same 8' woofer into a bookshelf speaker or a floorstander, you will get a different frequency response.  Does anyone know what's happening with the air pressure on the inside of the cabinet to cause this to happen?  Does the woofer in the bigger cabinet have greater excursion, and therefore produce more amplitude?  

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 My understanding is that a larger cabinet will support a lower frequency response in the bass. The shape of that frequency response is also shaped by the design of the cabinet, i.e., whether it be sealed box or bass reflex (let's leave out the other designs for the sake of keeping this simple).

  As many of you already know, the sealed box design will make a slower slope in the bass response (although not as deep) than the bass reflex, which goes lower in frequency, yet at a higher slope than the sealed design. Given this, bass response is altered by the physical size of the cabinet. A smaller cabinet simply cannot load the woofer for lower frequencies. Of course, these factors much match the T/S parameters of the driver to begin with to make a reasonable bass response in the first place. A bigger cabinet allows for lower and possibly flatter response in general than trying to make a small woofer and cabinet do what it cannot. A popular trick used for smaller cabinet/woofer sizes is to make use of a bump usually at 100hz. It gives the likeness of more bass, a thump, if you will, but it is not ideal for my tastes. 

   This is the case for passive speakers, but active speakers can use EQ in the signal to try and offset the limitations of the cabinet and driver. In the end, physics will rule up to the limits of the final product.

Hofmann's Iron Law

three parameters that cannot all be had at the same time. They are low-bass reproduction, small (enclosure) size, and high (output) sensitivity." Hofmann stated that designers could pick two of these three parameters, but in doing so, it would compromise the third parameter.

Speakers dont live alone in life...

They are married to a room...

I use the room to mitigate the effect  or improve on the Hofmann law...

Acoustic is queen...

mahgister,

  Yes, the room acoustics are fascinating to me even as a child. So, maybe understanding the room first, and then 'marry' a speaker to it?

mahgister,

Yes, the room acoustics are fascinating to me even as a child. So, maybe understanding the room first, and then ’marry’ a speaker to it?

 

You must use a speakers pair to understand the room throught them...

You cannot understand a room out of his dialogue with a specific speakers pair...

It is the room that will reveal the beauty of your speakers, and it is your speakers that will ask for the room response first ...After a balanced material acoustic treatment, if you have a dedicated room, explore active mechanical control with Helmholtz devices...

After that you can use psycho-acoustic basic to adapt speaker A and B to ear A and B...but this is more complicate, if you go there i will give you some advice at this time...

If you have a small room it is easier to do... Under 15 feet... my room is 13 feet square... I dont have experience with big room...They will ask for other experiments... there is no universal recipe for a small room...The acoustic content, the audio system ask for specific installation.. . A great hall is another completely different matter... Science know much about big hall acoustic than about small room acoustic, because it is a new phenomema for few decades...

In acoustic listening experiments dictate all choices....Recipe are for acoustic sellers panels to simplify their life... 😁😊

If i had used simplistic acoustic recipe instead of experimenting, no way i will had enjoy a so great improvement... But my room with hundred of devices is a dedicated room and not a living room...Acoustic ask for an audio room...Living room are OK but you cannot transform it enough to serve the speaker and your own head and listening location... It is not the gear price the audiophile luxury it is a dedicated room...

All room is in individual content , you adapt , there is no great value in general recipe for ALL ROOMS ...

Nothing is more fun than exploring acoustic...if you chose well designed basic gear, upgrading is a waste of money by people unsatisfied who cannot change their acoustic than they change the gear...

I cannot even imagine i will upgrade because it will be costly for minor improvements... And even if this would be more major improvement i did not even think about this because i am too much happy already...

Nothing can beat acoustic experiments fun...