How much of High End Audio is Horn Speakers?


An audio friend of mine had been discussing my future speaker purchase. We discussed, Harbeth, Devore, Spendor, Audio Note and other more traditional speaker brands. A week or two later he called an asked me what speakers I had purchased. When I told him Klipsch, there was a little silence on the other end of the line. Our call probably ended a little sooner then usual. I could tell he was disappointed in my purchase. Is it the Klipsch name that illicits this type of response or is it Horn speakers in general? After thinking about some of the other Audiophiles in town, a good deal of them are on the low power high efficiency speaker route and more than a few I know are using Horns. Does anyone know how the high end market share is divided? Is there a stigma associated with certain lower cost Horn speakers? Or is this just Klipsch? I now own a pair of Klipsch Cornwalls and am enjoying the journey associated with tweaking the sound to my taste. Is there an unwritten rule that friends don’t let friends buy Klipsch?

128x128coachpoconnor

Interesting topic, not unrelated to other recent threads on high sensitivity speakers. For me, the question comes down not only to how to pair these with various kinds of amps, nor the tonality, but the dimensionality of the sound. What is the imaging like in horns vs. planars vs. domes? How does the room feel?

In other words, in my understanding -- corrections appreciated -- it is possible to get tonality and pacing pretty close to perfect with the right match between amplifier and speaker, but that will still leave wide open the way the soundstage is presented by the speakers. And, here there is no "best," either, but the choice of which genre of soundstage become the decisive choice point.

There is a lot of anti-horn sentiment out there. I had no interest in horns prior to 1980's era Klipschorns falling into my lap. Prior to that I had used a series of open baffle and box speakers, very much liked sound staging of open baffles, box speakers not as much. But then coherence and timbre were extremely important to me as well. Last speaker prior to Klipschorns were extreme modded Merlin VSM-MM, I was not unhappy with Merlins (still own), but intention for any replacement was another open baffle speaker.

 

This is when Klipschorns came into my possession, certainly curious how they'd sound but with with very little expectation I'd like, thought I'd flip them if not enjoyed. So, first listening, totally original including crossovers, this sense of live performers in room struck me, I'd never heard this characteristic to such an extent prior. I had issues with timbre, coherence, tonality, but this uncanny sense of live performers in room made me keep them, with intention of modding to fit my needs. And so, here we are a few years down the road, my modded Klipschorns will stay in my possession til I die!

 

I'm no Klipsch Heritage expert, I've never even heard other Klipsch, but I assume this uncanny sense of live performers in room is initial fascination with the line. Even in stock form, highly resolving and transparent, and I see continuing evolution in attaining more natural tonality, timbre.

 

Add to this ability to run horns with various low powered SET, each with special characteristics, one can really voice or flavor system to heart''s delight.

@sns 

but I assume this uncanny sense of live performers in room is initial fascination with the line. 
 

This is exactly what sold me on the La Scalas. The Klipschhorns were even better, but I don’t have the space for those monsters. I would need to build a new house with a space to support that sound field. The Klipsch heritage line is stunning. 

Go to the Stereophile archives and look at the review by Art Dudley and John Atkinson’s measurements of the latest Khorns from serveral years back. With stock x-over it is a highly-colored speaker. It needs proper DSP to be made maximally flat with accurate pulse response.