What do we hear when we change the direction of a wire?


Douglas Self wrote a devastating article about audio anomalies back in 1988. With all the necessary knowledge and measuring tools, he did not detect any supposedly audible changes in the electrical signal. Self and his colleagues were sure that they had proved the absence of anomalies in audio, but over the past 30 years, audio anomalies have not disappeared anywhere, at the same time the authority of science in the field of audio has increasingly become questioned. It's hard to believe, but science still cannot clearly answer the question of what electricity is and what sound is! (see article by A.J.Essien).

For your information: to make sure that no potentially audible changes in the electrical signal occur when we apply any "audio magic" to our gear, no super equipment is needed. The smallest step-change in amplitude that can be detected by ear is about 0.3dB for a pure tone. In more realistic situations it is 0.5 to 1.0dB'". This is about a 10% change. (Harris J.D.). At medium volume, the voltage amplitude at the output of the amplifier is approximately 10 volts, which means that the smallest audible difference in sound will be noticeable when the output voltage changes to 1 volt. Such an error is impossible not to notice even using a conventional voltmeter, but Self and his colleagues performed much more accurate measurements, including ones made directly on the music signal using Baxandall subtraction technique - they found no error even at this highest level.

As a result, we are faced with an apparently unsolvable problem: those of us who do not hear the sound of wires, relying on the authority of scientists, claim that audio anomalies are BS. However, people who confidently perceive this component of sound are forced to make another, the only possible conclusion in this situation: the electrical and acoustic signals contain some additional signal(s) that are still unknown to science, and which we perceive with a certain sixth sense.

If there are no electrical changes in the signal, then there are no acoustic changes, respectively, hearing does not participate in the perception of anomalies. What other options can there be?

Regards.
anton_stepichev
Maximum frequency that I hear now is 12500 Hz, and my father, at 88, hears only up to 6500hz!! At the same time, he freely orients himself in musical subtleties, distinguishes the directions of wires, and opinions about what sounds better or worse coincide with us.

There are many examples that natural musical values and audio anomalies are situated in middle range. We may cut LF and HF off accustically or electrically and still feel magic in music.

In addition to hearing we almost certanly have some sensitive "cells", which Millercarbon told about. I only think that the cells detect not acoustic vibrations but something else.
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low bass is non-directional. Yet ... it always sounds like it is coming from some definite location.  

Each note of a real bass instrument has harmonics and we use them to determine the direction of the main tone.
Music is not a single tone sinewave.  Every piece of musical instrument can produce a range of frequency from the lowest to highest.  A drum sound can extend all the way up to upper treble frequency.

Using a single tone sinewave to understand how people perceive music is crazy.
@doogiehowser
That you have feelings that these cells exist is about as relevant that people believe the earth is flat, or that fairies exist. These anomalies all disappear when someone shines a light on them. Why is that?
I don't believe it, but I came to this logically. There is nothing in an acoustic signal that it would be impossible to measure or set up an experiment, all other things being equal. Hearing is also thoroughly studied.

From the standpoint of acoustics and electrics, there should be no such anomalies as an audible "reverse polarity of the wire". Physics also states that a digital copy should always sound the same as the original. And so on and so forth.

There are too many inconsistencies between physics and music. Hence the conclusions:
1-ordinary physics is not enough to describe the sound of music.
2-Hearing (perception of acoustic vibrations) is not all that we feel while listening to music.