SOTA NOVA, HR-X VPI, Technics 1200G recommendations?


I am considering SOTA NOVA, used HR-X VPI and Technics 1200G TTs. I have an old SOTA STAR with vacuum, (and essentially a Jelco 750 arm-retipped Denon 103R) so I know its high quality and durability. Technics apparently has performance that far exceeds its $4000 price tag. For tonearms, I am down to Jelco 850M and old FR-64S. I am considering low compliance cartridges. For VPI, it would be JMW 12 or 3D. Changing the tonearms seems to be more of a hassle on VPI. What are your thoughts and recommendations?
128x128chungjh
@sbank 

Seems like you are making all valid points. What tonearm/cartridge are you using with your SOTA? 
@chungjh  Audiomods Series V with the optional silver wire tip-to-tip and the micrometer. https://systems.audiogon.com/systems/133

Cheers,
Spencer
I have had two Sota Turntables over the span of 39 years. My latest is a Star Vacuum Series VI. It was a series V until the motor died. So I had them upgrade it. The speed is stable in terms of both setpoint and w&f. My older Sota Sapphire Series III with the Pabst DC motor had speed variation and I ended up modifying the suspension to reduce w&f which made it sound much better but it would still have a different set point every time I turned it off and back on.
The Series VI is an A/C motor vs. the Eclipse being DC. I thought about going with the Eclipse but decided to keep cost down and also minimize the modifications. I’m very happy with my choice.
But regarding the excellent isolation properties of the Sota turntables. Over these many years I discovered that the Sota turntable can still benefit from additional isolation. I wanted to share that. I also have tried using the points (or Cones) on the three legs but I went back to the rubber feet. I prefer the sound with the rubber feet. My new favorite isolation configuration is a carbon fiber plate on 4 ISO Acoustics feet. Wood boards work well too. Do NOT put the Sota on a granite slab. I thought that would have been a good thing for the extra mass, but the sound is terrible.
The vacuum improves bass response and also makes the background blacker- at least I think so. But I also like the vacuum because I have a few records that are not perfectly flat and while the clamp alone helps the vacuum platter makes every record perfectly flat.
I want to clarify things about Technics SP-10 mkII:

-You don’t need that old and fragile obsidian plinth at all, you can make a bigger custom plinth with many blank armboards for whatever tonearm (including 12 inch) with any diameter of the mounting hole. 

-AT pneumatic insulators under the plinth is a must and you don't need any isolation platforms, just a good rack.

-Great alternative to CU-180 and CU-500 is lightweight mat SAEC SS-300


p.s. All pictures above made by myself, it’s my ex Technics and stuff.