Thanks for all the suggestions. I actually have looked into a lot of them. (I did make an effort to search before posting.) I’ll probably need to resign myself to some sort of compromise. Maybe 10-12dB isn’t too much. It seems like some of my desired features are mutually exclusive.
Because I want the option of using some low input impedance amplifiers, I don’t think a straight passive will be a good fit for me. I also like whatever tone a tube may impart and am interested in maybe getting a little more of that than the hybrid buffer of the Saga+ provides. I think a tube stage must provide more tone with gain though. This leaves adjustable gain preamps that seem to actually adjust the input attenuation rather than adjust the gain. (Still not sure on this.)
Maybe I’ll need to do more research on custom, DIY, and brush up on my electronics. If the actual gain of the tube circuit can be adjusted in conjunction with and opposite to input attenuation then there can be a neutral effect on total gain while listening for what combination gives the best tone or presence (or whatever magic it is that I like about tubes). Once that is adjusted a separate volume control and source selector could be added. I can’t be the first person to want something like this. Maybe it just isn’t worth the trouble.
Anyone recommend a good book on audio tube circuit design? The few EE classes I took years ago only covered the basics in solid state.
Because I want the option of using some low input impedance amplifiers, I don’t think a straight passive will be a good fit for me. I also like whatever tone a tube may impart and am interested in maybe getting a little more of that than the hybrid buffer of the Saga+ provides. I think a tube stage must provide more tone with gain though. This leaves adjustable gain preamps that seem to actually adjust the input attenuation rather than adjust the gain. (Still not sure on this.)
Maybe I’ll need to do more research on custom, DIY, and brush up on my electronics. If the actual gain of the tube circuit can be adjusted in conjunction with and opposite to input attenuation then there can be a neutral effect on total gain while listening for what combination gives the best tone or presence (or whatever magic it is that I like about tubes). Once that is adjusted a separate volume control and source selector could be added. I can’t be the first person to want something like this. Maybe it just isn’t worth the trouble.
Anyone recommend a good book on audio tube circuit design? The few EE classes I took years ago only covered the basics in solid state.