Jerry Garcia’s McIntosh amp


Does anyone know what model McIntosh amp it was that Jerry used when he played live onstage?  He sure seemed fond of it and I might like to play my guitar thru one as well.  Thx,  Gordon
128x128doug714
https://www.youtube.com/watch?v=r86Sb4heCWM As can be seen in the video Phase Linear amps were used in the Wall Of Sound. These are what i remember as i mentioned earlier.
chorus, Curl could have been there but you have to remember that there was at least 50 people that worked to put that sound system together and the only people at that time  were the Dead that everyone knew, no one but them at that time had a reputation and everyone else were just faces. 

I built and designed speakers and lent my ear in the recording studio.
The amp was correctly called in post #2 - an MC2300.  McIntosh amps comprised the Wall of Sound, not Phase Linear.  (48) MC2300 and a handful of MC-3500s were used.  Numerous drawings, photos, threads, and videos (including the one referenced just above), and even the Grateful Dead movie show the amps.  McIntosh even developed a bit of a marketing campaign around the fact that both Woodstock and the Grateful Dead chose McIntosh amplification and an even opened a Gradeful Dead exhibit at the R&R HOF - https://www.mcintoshlabs.com/brand/news/Grateful-Dead-Exhibit-at-Rock-and-Roll-Hall-of-Fame

Reportedly, Jerry played through one channel of the MC2300 only while on stage.  The particular MC2300 he was seen most often with has a sticker on it of a guy playing the guitar.  This was known as the Bud Man amp.  Just google "bud man mc2300" for many pictures of Jerry's setup.

Also reportedly, the MC2300(s) that Jerry played through were modified.  Some claim that Alembic removed the McIntosh sentry monitor circuit entirely.  Others claim that not to be true.  Rear panels had banana jacks added to them to facilitate quicker connections to the speakers.

At some point, after McIntosh introduced the MC2500 in 1980, Jerry did try one of these.  There are a handful of photos of him playing on stage with an MC2500 and not the Bud Man MC2300.  This didn't last long however.  Try as I may, I've been unable to determine why.

I met Bear in the 1990s, after running an ad on the Grateful Dead's website looking to purchase the McIntosh amps used in the WOS.  What an eclectic personality.  I sure wish I would have had the foresight to archive that convo . . . 

I have a bunch of these amps . . . 2300s, 2500s, and 2600s even.  The hype is real.   Have fun.  
There are many, many sites to be found which detail the gear well.  Here's one that I forgot about which shows a PL700 sitting atop a stack of MC3500s - http://www.epicdimensions.com/gdgear2.html
@acefqctory, have you listened to much from 1972? Barring personal opinions —and I don’t want to turn this great thread into a debate— but it’s hard to deny there is something special and something unlike any other year happening in ‘72. A telepathic locomotive of shared melody morphing on another level, imo...
 I just thought I add this in case any newbies or unfamiliar-yet-interested parties are reading.