Funny how streaming/digital still chases that analog benchmark.

Zzzzzzzzzzzzzzzzzz

@cakyol.....I've been listening to the over 9000 lp's dufus's got rid of for pennies in the eighties on a a kick ass system... 

Don't use the crap about digital recording like your the only one who knows....
I am very aware.....my ears...my ears....my ears...Did it sink in....want to make sure you heard it...in digital some of the information is dropped...
Oh. .but you must be one of those special people that can't hear it.....or won't. ...or thinks it's still natural sounding.....
The fact vinyl has been recorded digitally such as Dire Straights as an early example means sfa to the fact digital is still trying to be analog.....
I don't have to ask an engineer. ..your making assumptions. ..
Perhaps you should ask the engineer if he wants it to sound digital....just what is he attempting to do in his manipulation of those bits...
Another assumption on your part....the vintage of the vast majority of lp's I own...and why.. .. I use tubes in my pre...phono...and amp too...care to make more assumptions about those choices too... 

Let’s keep both, one for background every day music, workouts, cars, work, new music discoveries and music surfing, lazy listening..... another one for listening of favorite music in no rush, paired with glass of Blue Label, critical approach and best emotions.  Mig-29 is history now. SU-57 is new really. 

Of course a digital stream is a replica of the original master. The musicians record to digital or a master is, there is a mix, and the mix is streamed. 
And then some want to use a vinyl storage medium. So the mix needs to be cut, with a machine cutting a replica of the signal. Then the replica cut has to be turned into a metal replica of the replica cut. Then the metal replica has to be replicated into many replica stampers. Then the replica stampers - getting older and worse every stamp - produce a replica vinyl. Then your needle vibrates in an approximation of this latest replica of the replica of the replica of the replica of the original sounds. But wait!  where has all the bass gone?   Oh, it’s not there!  It has to be replicated in the phono stages. 
I love it when old folks say digital is not the “real music” when they spend years and £10000s arsing about changing their sound with different belts, arms, platters, cartridges, phono stages, buying multiple copies to get a better pressing, etc. You can’t have it both ways. 

Digital advocates are more honest, perhaps. Vinyl advocates should just admit it - they are chasing the memory of sound they grew up with, and their ageing ears prefer it because back then technical limitations meant the compromises favoured a range of frequencies which are the only ones these guys can still hear anyway. It’s why mid-range crooners and instruments are so popular with vinyl audiophiles.