Better Records White Hot Stampers: Now the Story Can Be Told!


Just got shipping notification, so now the story can be told!

  Better-Records.com is a small, incredibly valuable yet little known company run out of Thousand Oaks, CA by Tom Port. The business started out many years ago when Tom Port noticed no two records sound quite the same. Evidently Tom is a sound quality fanatic on a scale maybe even higher than mine, and he started getting together with some of his audio buds doing shoot-outs in a friendly competition to see who has the best sounding copy.   

Over time this evolved into Better-Records.com, where the best of the best of these shoot-outs can be bought by regular guys like me who live for the sound, but just don't have the time or the drive to go through all the work of finding these rare gems.

The difference in quality between your average pressing and a White Hot Stamper is truly incredible. If you don't have the system or the ears of course you may never notice. If you do though then nothing else comes even close.   

Tom will say things like only one in twenty copies is Hot Stamper worthy. This doesn't even come close to conveying the magnitude. Last night for example, wife and I were listening to our White Hot Stamper of Tchaikovsky 1812. Then we played another White Hot Tchaikovsky. Then we played the Tchaikovsky tracks from my copy of Clair deLune.  

Without hearing a White Hot you would think Clair de Lune is about as good as it gets. After two sides of Tom's wonders it was flat, dull, mid-fi. Not even in the same ball park. And yet this is quite honestly a very good record. How many of these he has to clean, play, and compare to find the rare few magical sounding copies, I don't even know!  

Copies of Hot Stamper quality being so hard to find means of course they are not always available. This is not like going to the record store. There are not 50 copies of Year of the Cat just sitting around. Most of the time there are no copies at all. When there are, they get snapped up fast. Especially the popular titles. Fleetwood Mac Rumours, Tom Petty Southern Accents, whole bunch of em like this get sold pretty fast even in spite of the astronomically outrageous prices they command. Then again, since people pay - and fast - maybe not so outrageous after all.   

So I spent months looking, hoping for Year of the Cat to show up. When it did, YES! Click on it and.... Sorry, this copy is SOLD! What the...? It was only up a day! If that!  

Well now this puts me in a bit of a spot. Because, see, besides loving music and being obsessed with sound quality, I'm also enthusiastic about sharing this with others. With most things, no problem. Eric makes an endless supply of Tekton Moabs. Talking up Tekton or Townshend or whatever has no effect on my ability to get mine. With Better-records.com however the supply is so limited the last thing I need is more competition. Bit of a bind.   

Even so, can't keep my big mouth shut. Been telling everyone how great these are. One day someone buys one based on my recommendation, Tom finds out, next thing you know I'm a Good Customer. What does that mean? Well is there anything you're looking for? Year of the Cat. That's a hard one. Tell me about it. Might take a while. Take all the time you need. Just get me one. Please. Okay.  

That was months ago. Other day, hey we're doing a shoot-out. No guarantees but should be able to find you one. So for the last few days I was all Are we there yet? Are we there yet? And now finally, like I said, shipped!  

So now I have my Grail, and the story can be told. Got a nice little collection of Hot Stampers, and will be adding more, but this for me is The One. Might not be for you, but that is the beauty of it all. Many of us have that one special record we love. If you do too, and you want to hear it like listening to the master tape, this is the way to go.
128x128millercarbon
Success! Advertisement worked and I just ordered one White Hot Stamper, apparently without issues. I wonder how it will compare to a memory of the same record.
Goodwill can be a goldmine for old very high quality recordings from the real golden age of vinyl in the late 50 and early 60 that nobody wants anymore except audiophiles because they were very high quality recordings.


hifi and stereo was a new thing back then.  People cared about the promise of better sound back then in the beginning  so the recording industry did too.   

PS the Goodwill gold mine for "white hot stamper" recordings is OUR little secret......don't tell anyone!!!


I go to Goodwill and buy real Cool Black Stampers there. It is mostly classical music that I find perfectly preserved. Some are in unopened shrinkwrap.
+1 for Mapman. 

Here are some tips for the budding record bin divers ...

Philips Golden Imports = These are reissued Mercury Living Presence recordings, Great sounding reissues with better vinyl than the originals. Cheap too. 

Westminister Stereo = Don't pass them up.

RCA Living Stereo  = Gorgeous strings. 

Mercury Living Presence  = Dynamics.

London Stereo = Brass.

Contemporary = Some of the most well-recorded jazz records on the planet. 

Savoy = Some of the mono recordings are to die for. Try the reissues put out by Fantasy in Berkeley ... especially the twofer of Milt Jackson (vibes). 

There's plenty more. Perhaps others would like to chime in on this subject. 

Frank
Yup those + pretty much anything orchestral based made by any major label at the time.

Don’t say you never learned anything valuable on A’gon.....

I have a few CD quality flac files I’ve made of tracks off many now quite obscure  recordings of that time if anyone interested.