Gallo 3.5 vs Merlin VSM-MXe


Hello,
I'm looking to upgrade to different speakers. At the moment I'm running Gallo Strada's with a T3 Sub. While I enjoy this system, I would like a little more coherence and weight. Some more musicality would be nice too. I've been given the opportunity to get a pair of used Merlin VSM-Mxe with super bam for a nice price, or a new pair of Gallo 3.5's for the same $.
Any ideas?
g_goodwin
I've heard the Magico mini in a smaller dealer showroom off good tube amplification. They are lovely sounding speakers, but again not as full and muscular, weighty, meat on the bones, whatever as other good larger designs I have heard. That is the only criticism I would have with them and I suspect that is why Magico makes larger models also.

Personal taste is always a big factor.

I've not heard the most recent Gallos, but have heard the prior version. I liked them at first but preferred Quad ESLs overall in that setup when I then heard them based on overall clarity and detail top to bottom, though the Quads are generally not considered the nth degree in dynamics either. The better monitors I have heard (magico, Totem, Dynaudio) compare favorably with the Quads in my assessment.

All things considered, I would lean towards any good monitor most likely over the Gallos based on my limited exposure, but I'll stick to my comments noting that smaller monitors are not likely to be the nth degree in macrodynamics, weight, meat on the bones etc., though likely still very fulfilling in that regard.

MErlin vsm may well be the cream of the crop and not even the most expensive. Most people who own them seem to hang on to them, always a good sign. BP is obviously quite passionate about his products and has seemingly spent years refining the design rather than changing directions, a very good omen. Don't know for sure. Haven't heard the buggers. Would like to someday.

Mapman, VSMs might not be everyone's cup of tea, but well worth tasting if only to know. But alas there are other tasty offerings also worth listening to - that is the fun of it. Though, I have owned MX then MXe for 9 years and I've not heard a speaker I would prefer to own in my mid-size listening room, and I stopped looking. NOS EL84s? that is another story. Cheers.
I FOund this chart I thought useful while looking for information on exactly what kinds of sounds we might want to hear that fall into the lowest audible octave.

Audible Frequency Spectrum

It helps to understand what one might be missing if a speaker is challenged below 40hz and whether or not it matters.

I'm sure there is other similar info out there as well that might help add additional insight.

In addition to the sounds listed that fall into the lowest audible octave, I would add that many electronically generated sounds from synthesizers and other modern electronic music sources commonly used in much modern pop music deliver output that can fall in this range. I find a lot of better quality modern pop recordings and remixes from teh last 10 years or so in particular sound best FWIW when the lowest octave is fully present.
mapman, yes it is true that i am a vendor, i am proud to be one and of my work. have i seen you posting in all maker's threads of mini monitor speakers? why does it seem like you prefer to spout your opinions more in merlin threads? as i said before, use the right tool for the job and if you want the lowest octave get a sub. what is wrong with that???
rarely do you discuss the many attributes of monitors in general. yet you seem to fixate on the lack of bass extention and weight. everyone here knows where your taste falls. as i said you have to hear it to know for sure because anything you say is "mostly" speculation and when you speculate you should say "imho".
your opinion is not a given for everyone.
do you know how many people have told me that their vsms totally over power their room with bass and the sound is unlistenable because of it? i was also at a home recently where an individual had a moderate sized room with speakers that on their own, imho have too much bass and he had two subs hooked up at 120 hz. he asked me what i thought but i did not comment. it takes all kinds i thought.
odds are that you will not like my work if or when you hear it. come to rmaf to room 9014 and hear them for your self. then make comments that are based on first hand knowledge. judging my work based on your dyn's and other similar designs is unfair imho.
best,
b