You gotta love this hobby.
I've been in it since the age of 15 so 45 years.
The other day I was listening to a well recorded live album of an artist I have seen many times, and on certain (but not all) cuts it was startling how real it sounded. I have never had that sensation with my digital rig (Aurender and Abbingdon Music Research DP777 with Wireworld's most expensive USB (Platinum Starlight Something Ridiculous)).
My present thought with vinyl is that you have higher highs and lower lows than with digital, but when you get things right and have a damned good cartridge, magic can happen.
My 301 has a VdH Crimson Strad on it. FWIW, I think the cartridge I have-dialed in by Brian Walsh-is a critical part of reaching this level of vinyl playback.
And with all that said, it does not happen every day. I could probably play back that same record tonight and the magic won't happen. The zombie-dust stuff is at play whether it be ascribed to hearing differences day to day, atmospheric things, electrical, ambient noise, etc.
I've been in it since the age of 15 so 45 years.
The other day I was listening to a well recorded live album of an artist I have seen many times, and on certain (but not all) cuts it was startling how real it sounded. I have never had that sensation with my digital rig (Aurender and Abbingdon Music Research DP777 with Wireworld's most expensive USB (Platinum Starlight Something Ridiculous)).
My present thought with vinyl is that you have higher highs and lower lows than with digital, but when you get things right and have a damned good cartridge, magic can happen.
My 301 has a VdH Crimson Strad on it. FWIW, I think the cartridge I have-dialed in by Brian Walsh-is a critical part of reaching this level of vinyl playback.
And with all that said, it does not happen every day. I could probably play back that same record tonight and the magic won't happen. The zombie-dust stuff is at play whether it be ascribed to hearing differences day to day, atmospheric things, electrical, ambient noise, etc.

