Esoteric DV-50: Any cdp's Significantly better?


Is there are anyone out there who has compared the Esoteric DV-50 to a number of dedicated red book only players (or other universal's) and found one that is SIGNIFICANTLY better?

I stress significantly because in my humble opinion the redbook playback (if comparison unit is just a cd cd player only )must be significantly better to justify losing DVD-A, SACD and DVD-Video capability.

I keep hearing there are better one box solutions and being a die hard 2 channel fan I would sell my DV-50 if I found a player in the same price range that sounds significantly better. But every time I do an AB comparision to other well respected units the DV-50 has slayed each and every one.

So far, it has eaten the lunch of the Classe CDP-10, Ayre CX-7, Linn Ikemi, Cairn Fog Vers. 2, Cary 306/300, Arcam DV 27A and CD 33T, Myryad CD 600, etc. It even betters a Sony SCD 777ES/MF Tri-Vista 21 transport/dac combo that I previously owned. I'm only comparing the DV-50 to single box cd or universal players, but I just wanted to mention the Sony/MF combo. I'm sure there are some dac/transport combo's that will handily beat the DV 50.

Some may say that the DV 50 should beat all the above because the of price point ($5,500 vs. average price of $3,000 for the above players). But I disagree since conventional wisdom says that stand alone players (especially with the pedigree of those mentioned above) should produce better redbook than a universal player trying to be a jack of all trades. Only the DV 27A does video plus audio. By the way, I was very impressed with the 27A as just a cd player. Of all the above I would say the Ayre was the best.

Next on my list is the Electrocompaniet EMC 1UP and the Resolution Audio Opus 21. However, I must tell you I am really impressed with the DV 50 and all the great reviews are absolutely true. I've noticed that many people who are using it or comparing to other players are using the RCA analog outs instead of the balanced outs. There is a significant improvement in sound if you use the balanced outs and I'm only interested in hearing comments from people who have compared it against other players using the balanced outs on the DV-50.

My system components are as follows:

B&W N803's speakers & HTM-1 center
Cary Cinema 5 (5 x 200) amp
Anthem D1 Statement pre/pro
Esoteric DV 50
Acoustic Zen Satori Shotgun speaker wire
Nirvana SX balanced interconnects from DV-50 to Anthem
Acoustic Zen Matrix reference II interconnects from D1 to Cary
No after market power cords or isolation equipment

My system sounds great! Those who comment please make sure to specify what specific improvements you heard over the DV 50 and what cdp were you comparing it against.

AVGURU
avguru
711- Since you have mulitple CDPs, why don't you loan your APL 3910 to Lazarus28, so he can tell us how it compares to his EMM Labs gear.
Thank you all for the support, I appreciate it! I heard some nice setups at the show and must say that all have done great job designing and/or modifying variety of audio equipmnet. I was impressed by Esoteric, EMM and Gryphon rooms. May be the best experience was to see all the nice people I've previously met online to "materialize" at the show - it was great!

I did not have access to email and internet for most of the time so I am sorry I could not answer questions on the board and emails. I was informed about some of the posts here though. I am sorry to see that it got sort of "ugly" here in this thread.

I must say that "mine is best" mentality goes around with just about every designer and/or modifier. It is passion. Of course, I believe that we all can still be friends, keep the good relations and respect. My experiences with Dan, John and Allen were always really nice. They are all great people and very tallented. I wish this is the case with all other designers/modders in the industry.

For those who do not realize it, let me clear up the clouds regarding my "mods" based on the Denon 3910; Although it still remains in the Denon enclosure, this universal player has been completely re-designed. The power supply, Master Clock, DAC and Analog stage are of our own design. The above combination can work with ANY available Digital transport/DSP in the World - Sony, Denon, Onkyo, Pioneer, Toshiba, Teac, Philips, you name it. It is just a matter of time when we will design a nice enclosure and will put everything in it. With all due respect to all modders in the world, I must say that our 3910 is not a "modded" machine; it is simply APL Hi-Fi Uiversal Digital Player.


Regards,
Alex

Here here Alex! I was wondering when you were going to make that declaration. As I stated before, I am not that fond of investing part of my money into a Denon player.

Don't get me wrong but my point is I would rather have your player and not Denon's running around with your mods inside. Like I said before, I don't think you will have a problem raising the investors. Some of them are on this thread. Keep up the good work and for god's sake get some help!

Lou
Lazarus 28. Alex has fixed/modded 2 EMM/Philips for me. You're going to love the sound with his power supply mods. You'll have more body without loseing any of the detail. More musical to my ears.
Alex told me the new furore chip will take 200 hours to break in. It sounded great after 200 but sounded better after 300.
Frank
frankg - thanks, i'm looking forward to it, but i'm sincerely hoping that it doesn't alter the sound too much, because i've never been so happy with a source in my life! i can't imagine the mods making too much of a difference since he's only touching the transport, though, and not the dac.

ahh - i can't wait to be able to play avalon in multichannel again!