Esoteric DV-50: Any cdp's Significantly better?


Is there are anyone out there who has compared the Esoteric DV-50 to a number of dedicated red book only players (or other universal's) and found one that is SIGNIFICANTLY better?

I stress significantly because in my humble opinion the redbook playback (if comparison unit is just a cd cd player only )must be significantly better to justify losing DVD-A, SACD and DVD-Video capability.

I keep hearing there are better one box solutions and being a die hard 2 channel fan I would sell my DV-50 if I found a player in the same price range that sounds significantly better. But every time I do an AB comparision to other well respected units the DV-50 has slayed each and every one.

So far, it has eaten the lunch of the Classe CDP-10, Ayre CX-7, Linn Ikemi, Cairn Fog Vers. 2, Cary 306/300, Arcam DV 27A and CD 33T, Myryad CD 600, etc. It even betters a Sony SCD 777ES/MF Tri-Vista 21 transport/dac combo that I previously owned. I'm only comparing the DV-50 to single box cd or universal players, but I just wanted to mention the Sony/MF combo. I'm sure there are some dac/transport combo's that will handily beat the DV 50.

Some may say that the DV 50 should beat all the above because the of price point ($5,500 vs. average price of $3,000 for the above players). But I disagree since conventional wisdom says that stand alone players (especially with the pedigree of those mentioned above) should produce better redbook than a universal player trying to be a jack of all trades. Only the DV 27A does video plus audio. By the way, I was very impressed with the 27A as just a cd player. Of all the above I would say the Ayre was the best.

Next on my list is the Electrocompaniet EMC 1UP and the Resolution Audio Opus 21. However, I must tell you I am really impressed with the DV 50 and all the great reviews are absolutely true. I've noticed that many people who are using it or comparing to other players are using the RCA analog outs instead of the balanced outs. There is a significant improvement in sound if you use the balanced outs and I'm only interested in hearing comments from people who have compared it against other players using the balanced outs on the DV-50.

My system components are as follows:

B&W N803's speakers & HTM-1 center
Cary Cinema 5 (5 x 200) amp
Anthem D1 Statement pre/pro
Esoteric DV 50
Acoustic Zen Satori Shotgun speaker wire
Nirvana SX balanced interconnects from DV-50 to Anthem
Acoustic Zen Matrix reference II interconnects from D1 to Cary
No after market power cords or isolation equipment

My system sounds great! Those who comment please make sure to specify what specific improvements you heard over the DV 50 and what cdp were you comparing it against.

AVGURU
avguru
The Quest for the Best Continues!

You all will be happy to know that my local Esoteric dealer has informed me he SHOULD HAVE the UX1 in house by tomorrow evening. This is a demo unit that has already made the review rounds to several well known av mag's. As such, the unit will be well broken in. My dealer has decided to buy it as his floor demo.

Of course, yours truly will be there Saturday morning for a listen. Unlike 711, I like hearing a player in a multitiude of systems (or at least another one besides my own) so I can make sure the sonic characteristics I'm hearing are not biased or system dependent. However, I definitely agree with 711 that when it comes time to making a purchase I would never buy before auditioning in my own system.

I have spoken to Jactoy (he being the lucky owner of the glorious Wright modded Sony) and he has agreed to join me if time permits. Don't know if we will be able to directly AB his unit against the UX1 on Saturday, but if not we will do it on Wednesday when he and I both have plenty of free time to do so.

There are couple of other people in the Chicago area who are following this thread but are not really actively participating. (Mr. Northbrook, Mr. Elgin where are you)? Don't be shy...please do join us for a spot of Earl Grey tea, scones and a fantastic listening sesssion!

Be on the look-out for my shoot-out sometime next week!

AVGURU
Avguru and Jayctoy: If you go back and look at everything I've said, I have never claimed that anything I have or have heard is the best there is or can be. Usually what draws a comment from me is someone else's suggestion that something is "the best" or really gets what's on the source. And this skepticism extends to reviewers as well: a friend of mine who distributes a couple of well known and pricey products assures me that if you saw the listening rooms in which many reviewers listen to new products you wouldn't believe a word they say. As to specific questions:

1. I have heard very few modded products, but I have no reason to believe that a talented modifier can't work wonders with a stock product, most of which are built to a price point. If a manufacturer wants to sell something for $2000, but would need to charge $2200 to sell it with a better internal component and therefore chooses not to use it, why shouldn't a modifier be able to put one in, charge you $500 for the mod, and achieve better sound? [Of course, the problem is, is it better or just different? There are tradeoffs, remember.]

2. In fact my Classe Omega SACD player was in actuality a $12000 reworking of the $5000 SONY SCD-1, and was noticeably superior in every respect. Was that a modification, even though done by a major manufacturer? Depends how you define modification. I heard some mods of the SCD-1 and they were pretty good, but did they come close to the Classe? Not hardly. But the starting point of all of them was an absolutely superb transport mechanism.

3. Would I buy a real modded unit? Maybe, but it would have to be a modification of a stock unit I would have considered buying anyway, and for me that means the build quality would have to be very good. I have heard people rave about the sound of components which were lightweight and flimsy and supposedly sounded good despite their construction, but I've just never heard one I liked--something was always compromised about the sound as far as I was concerned.

4. Hello, where on earth did you ever get the idea that I own anything I wouldn't consider replacing? Certainly not from me. When this thread started back in the 19th century I had just replaced my Classe with an X-01, mainly because I had just received DSD-capable versions of the dCS units, and had listened to the Meitner gear on someone else's system, and wanted something that could do in SACD what dCS and EMM had accomplished without having to put up with what I didn't like about their respective transports. So three of my four digital components are new this year, and the fourth is eighteen months old. Of course, there are limits. Some time next year the three-box Esoteric digital system is going to role in, for about $40,000, and of course I'll want it. But no, I'll have to do without; for now I'm through. Life is full of hardships, I'm afraid.

5. What do I like best about what I've got? That it sounds more like what I hear in the hall, at least in kind, than anything I've heard (which I can afford, if I suck it in hard enough) so far.

6. Me a guru? No one is a guru who doesn't understand how things work, and for all I know there is concrete and spaghetti in them thar boxes. I know what I like, and I don't confuse that with anything else.

All from me, I think. This thread has been fun, but it's getting old.
Mgottlieb,

Thanks for your response. It was very thorough. Sorry you feel the thread is getting old. The feedback I'm getting is that its one of the best threads going with more and more people hopping on and adding their comments! Can't tell you how many phone calls I and other members have received and exchanged because of this thread.

Please don't take my remark "digital guru" seriously. I was just having fun! I only said it because it seems you have owned and currently own some of the best digital gear of anyone on the thread. When I say "best" I'm speaking in relative terms of price and the fact your gear is generally considered to be the best on the market today. I wanted to hear your opinion because you've owned some of the best gear so you have first hand knowledge of its performance.

Stay with us, MGottlieb. We need your open minded and unbiased viewpoint...as well as your constant reminders that no one really knows what sounds best or what a cd "should sound like".

AVGURU
There will be more Shootout on CDP,Brian from Essential
Audio is opening His House for us Chicago boys, who
is willing to have fun,A guy who own the Rich Kern,Sony
Mod is requesting to compare his sony mod,I already
Email Brian, the invitation is accepted,in two weeks,
.His system is very good, Iam excited to hear,
the Sony with Soundlab, blowtorchh pre amp,and JC1,
TGaudio cables.This time the SonyModright involved in the
shootout is equip with upgrade unbilical cord, its silver,
its not burn in yet. Fun..Fun...Here we go again.Thanks
Bon