Why do subs sound bloated or slow?


The use of subs in 2 channel audio is controversial around A’gon. Detractors argue that subs usually make a system sound bloated or slow.

IME, the two biggest challenges for integrating a sub into a 2 channel system are optimizing frequency response and optimizing transient response. When frequency response isn’t flat, the bass sounds bloated. When transient response isn’t time aligned, the bass sounds slow.

Here is my pet theory about why systems that use subs often sound bloated or slow: Under many circumstances, optimizing frequency response and optimizing transient response is a zero sum game. In other words, getting one right usually means you get the other wrong.

Thoughts?

Bryon
bryoncunningham
01-24-11: Shadorne
Spatial issues are not that important in the LF as we are talking only a few milliseconds with waveforms that are 50 milliseconds long at 20 Hz.

Shadorne - I agree that, at 20Hz, which is a wavelength of over 50 feet, and which corresponds to a time scale of around 50 ms, a few milliseconds of time misalignment is probably no big deal. But what about at 80Hz, which is a wavelength of about 14 feet, and which corresponds to a time scale of around 14 ms?

Let's say the delay introduced by EQ is something like 2-4 ms, and that the delay introduced by placing a sub in the corner, when the mains are out in the room, is something like 3-6 ms. In systems that combine corner placement with EQ, you might have a delay between 5-10 ms. All of these numbers are an appreciable fraction of 14, the number of milliseconds that corresponds to a wavelength of 14 feet and a frequency of 80Hz.

IMO, this math illustrates that the use of EQ and/or the use of corner sub placement could introduce delays that result in significant time misalignments. As to whether those time misalignments are audible, I can only say that, from my experiences with sub setups, differences of LESS THAN A FOOT are easily audible, even in circumstances where there is little or no difference in frequency response.

Transient response is important but spatial positioning of a sub is not the big deal you make it out to be - as long as sub and speakers are within a few feet of being the same distance to the listener then no big deal.

You may be right that I am exaggerating the importance of time alignment at low frequencies, though it is not my intent to exaggerate. My view about the importance of time alignment at low frequencies resulted from about 2 years of periodic experimentation with placement, EQ, and delay. But I suppose the view I'm advancing might be considered unconventional. Though, if it is unconventional, then why do several different manufacturers of full range speakers make an effort to time align their drivers, INCLUDING the woofers?

It seems to me that the importance (or lack thereof) of time alignment at low frequencies essentially depends on the human limits of temporal resolution at low frequencies. The limits of temporal resolution has been studied in depth, where estimates place it on the order of magnitude of MICROseconds, with some estimates placing it as low as 5 μs. But these studies tend to measure higher frequencies. I do not know the human limits of temporal resolution at lower frequencies. If they are anything even vaguely approaching those of higher frequencies, then it would lend credence to the idea that time alignment is audible at low frequencies, making time alignment an important consideration in subwoofer setup.

Bryon
"Many subs have group delays of up to or more than 1 cycle. Of course this is audible."

I don't remember the exact group delay figures used in the study I read, but they were consistent with what one would expect from a well-designed vented system. Using digital signal processing, group delay was isolated from frequency response (don't ask me how they did it). On test signals group delay was slightly audible, but on music it was statistically inaudible. The audible effects normally attributed to group delay were replicated by a frequency response curve mimicing the high group-delay system, even if the group delay is eliminated by DSP. So while large group delay correlates very well with perceived "slowness" in the bass region, it is not the actual cause.
I currently have my subs next to my mains, slightly forward. They are sensitive to movements of one inch. I can play a passage and it will sound right, but if I move the subs an inch forward or back, and it's out, and stays out if I move it farther. In previous setups, I've been able to introduce a delay to the mains relative to the subs (in Pure Music, for example), and I had the same results: the coherence of the sound was sensitive to delays that were a fraction of a millisecond.

So time alignment is crucial, and I don't think the subs will ever be truly integrated in a system until that is achieved. I think once it is tackled, EQ is available to deal with the frequency response of the room. That's my current approach, and I don't think I've sacrificed much, except that there are subwoofers sitting in not-inconspicuous locations in my living room.
Crossing over to full range speakers....at too high a frequency, is guaranteed to give you that bloated feeling.
Certainly group delay and frequency response are intertwined.

I suspect that "masking" is what makes the effects audible. What I mean is that you can't perceive accurately what is happening to the bass response except by what it "masks" in the higher frequencies.

If a 20 Hz signal suffers a group delay of say 30 msecs - what happens to the harmonic distortion associated with that sound...are they also delayed by 30 msecs?

If the harmonic distortion is significant and delayed by 30 msecs then you may have a very audible 80 Hz harmonic that is audibly delayed by 30 feet. I cannot help but suspect that this harmonic will make the bass sound "slow", "bloated" or "muddy" by masking higher frequencies.

In essence, just consider the entire harmonic distortion from low frequencies (below 50 Hz) all delayed by the group delay - this smears out the bass response and masks transients to the ear.

I agree that a hump in the frequency response will ALSO cause masking by emphasizing certain frequencies by as much as 5 dB more than they should be and making the balance of sound such that you do not properly hear the higher frequencies (sound of the high frequency hit from the stick hitting the drum head).

Sound Engineers know that they can change the "speed" or attack of bass notes by altering the higher frequencies - emphasis is added for greater attack and de-emphasis to make the sound more laid back - in my opinion they are playing with teh amount of bass "masking" when they do this