Higher End DACs


I am looking for a DAC (potentially streamer&DAC) to be paired in a mcintosh system (c1100/611). Its my first foray into digital streaming and I have no need for a CD player.

I see a lot of love for Esoteric, however, most seems to be around their transports? Are they not as renowned for pure digital streaming and/or standalone DACs? I see DCS (for instance) often referenced for standalone DACs - how does Esoteric compare?
ufguy73
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I don't doubt that the SGM Extreme is a great server streamer but dual Xeon processors and 48 gigs of ram? All you're doing is storing and streaming music not 3D rendering and VR design and video editing, isn't this thing a bit of overkill?

high end audio and attaining suspension of dis-belief do require headroom and overkill. that is where ease and naturalness and escape from a digital signature come from.

please go to the thread i posted the link to and start reading. i don't have the techie chops to make the technical points, but every possible question and challenge is posted and responded to about servers in general, and the Extreme in particular.
DCS Bartok is by far the best DAC in your price range. It is the most affordable derivation of the Vivaldi stack. I really suggest you listen to the Rossini, just above at $24k, but that one is magic. The Ayre QX 5 Twenty is really nice at $10k. However, I don't think vocalists really sound human short of DCS. At these levels, you want a vendor who will be around in ten years, so think twice about the touted in forums only brands.
Ufguy - I am in a very similar situation looking to upgrade my DAC / streamer. I haven’t used a CD in probably 3 years and use Tidal HiFi and masters.

in terms of sound, for an all-in-one unit, the Linn Klimax 3 with Katalyst DAC is very good. The DSM version also has volume control and HDMI pass-thru so can also work some A/V scenarios vs just audio. It runs in the low $20s. I auditioned the Linn against dCS Rossini and I felt the Linn beat it (for my taste). I also auditioned the Klimax vs the Linn Akurate, which is next tier down for Linn. It took all of 5 seconds to hear the difference between the Klimax and Akurate (maybe $8-9k). The downside with Linn vs others is likely on formats they support. My understanding (others in forum who are deeper jump in or correct) is that Linn does not support MQA (masters). So, before you pull the trigger, it’s worth doing some diligence on formats and your music choices on the streaming service you choose.

I have been trying to audition the Aurender A30 ($19k), Lumin X1 (13k I think) and MSB Premier with renderer module, which allows it to stream ($19k for the DAC and then add-on pricing for the renderer module).

it is a PAIN to find a dealer that carries all of those lines. MusicDirect is an online option that gives you 60 day money back to try it. They carry Aurender and Lumin

good luck

I’ve been auditioning a ’higher end’ all in one and unfortunately I will not be able to test it with different server. My gut ’sense’ (with respect to this specific unit) is that the server is less critical (to go all out on) in this application. Hopefully I will be able to test and find out for myself definitively.

my viewpoint is the opposite.

the server is a larger roadblock to great streaming sound than the dac.

why? very simple.

line up 10 dacs from $5k to $25k, and try to tell the difference. blindfolded. it’s not very easy.

line up multiple servers.......including the Extreme......whoa......big difference. these days very fine sounding dacs are trivial to come up with.

the Extreme weighs 80 pounds. eighty pounds. why?

heat and noise. it’s just physics. and who is willing to go to that ’Extreme’? only one company.

the best sounding dacs are expensive, and can be crazy expensive. and they do sound better. all things being equal they will sound better. but all things are rarely equal. and the Extreme is a breakthrough product which has been a game changer.