I certainly do not, but I would bet that the $1500 albums at Audio Advisors in West Palm Beach could be shown to benefit their superiority, at least if a diamond cantilever is one of their products.
Who needs a Diamond Cantilever...? š
So suddenly, there seems to be a trend for Uber-LOMC cartridges released with Diamond Cantilevers...š±
As if the High-End MC cartridges were not already overpriced....?!
Orofon have released the MC-ANNA-DIAMOND after previously releasing the Limited Edition MC-CENTURY...also with Diamond Cantilever.
Then thereās the KOETSU BLOODSTONE PLATINUM and DYNAVECTOR KARAT 17D2 and ZYX ULTIMATE DIAMOND and probably several more.
But way back in 1980....Sony released a Diamond-Cantilevered version of its fine XL-88 LOMC Cartridge.
Imaginatively....they named this model the XL-88D and, because it was the most expensive phono cartridge in the world (costing 7500DM which was more expensive than a Volkswagen at the time)....Sony, cleverly disguised this rare beast to look EXACTLY like its ācheapā brother with its complex hybrid cantilever of "special light metal held by a carbon-fibre pipe both being held again by a rigid aluminium pipe".
The DIAMOND CANTILEVER on the 88D however......was a thing of BEAUTY and technological achievement, being formed from ONE PIECE OF DIAMOND including the stylus š¤Æšš½
Iāve owned the XL-88 for many years and recently discovered that it was my best (and favourite) cartridge when mounted in the heavy Fidelity Research S-3 Headshell on the SAEC WE-8000/ST 12" Tonearm around my VICTOR TT-101 TURNTABLE.
Without knowing this in advance.....I would not have been prepared to bid the extraordinary prices (at a Japanese Auction Site) that these rare cartridges keep commanding.
To find one in such STUNNING CONDITION with virtually no visible wear was beyond my expectations š
So how does it sound.....?
Is there a difference to the standard XL-88?
Is the Diamond Cantilever worth the huge price differential?
Is the Pope a Catholic....?
This cartridge simply āblows my mindā...which is hard to do when Iāve had over 80 cartridges on 10 different arms mounted on two different turntables š¤Æ
As Syntax said on another Thread:-
But now Iāve bought myself a nightmarish scenario.......
There is no replacement stylus for this cartridge!
There is no replacement cantilever for this cartridge!
Each time I play records with it, I am ākillingā it a bit more š„“š„
If I knew how long I had left to live......I could program my ālistening sessionsā š¤Ŗ
But failing this.....I canāt help but feel slightly uncomfortable listening to this amazing machine.
As if the High-End MC cartridges were not already overpriced....?!
Orofon have released the MC-ANNA-DIAMOND after previously releasing the Limited Edition MC-CENTURY...also with Diamond Cantilever.
Then thereās the KOETSU BLOODSTONE PLATINUM and DYNAVECTOR KARAT 17D2 and ZYX ULTIMATE DIAMOND and probably several more.
But way back in 1980....Sony released a Diamond-Cantilevered version of its fine XL-88 LOMC Cartridge.
Imaginatively....they named this model the XL-88D and, because it was the most expensive phono cartridge in the world (costing 7500DM which was more expensive than a Volkswagen at the time)....Sony, cleverly disguised this rare beast to look EXACTLY like its ācheapā brother with its complex hybrid cantilever of "special light metal held by a carbon-fibre pipe both being held again by a rigid aluminium pipe".
The DIAMOND CANTILEVER on the 88D however......was a thing of BEAUTY and technological achievement, being formed from ONE PIECE OF DIAMOND including the stylus š¤Æšš½
Iāve owned the XL-88 for many years and recently discovered that it was my best (and favourite) cartridge when mounted in the heavy Fidelity Research S-3 Headshell on the SAEC WE-8000/ST 12" Tonearm around my VICTOR TT-101 TURNTABLE.
Without knowing this in advance.....I would not have been prepared to bid the extraordinary prices (at a Japanese Auction Site) that these rare cartridges keep commanding.
To find one in such STUNNING CONDITION with virtually no visible wear was beyond my expectations š
So how does it sound.....?
Is there a difference to the standard XL-88?
Is the Diamond Cantilever worth the huge price differential?
Is the Pope a Catholic....?
This cartridge simply āblows my mindā...which is hard to do when Iāve had over 80 cartridges on 10 different arms mounted on two different turntables š¤Æ
As Syntax said on another Thread:-
When you have 2 identical carts, one regular cantilever and the other one with diamond cantilever (Koetsu Stones for example), the one with diamond cantilever shows more details, is a bit sharper in focus and the soundstage is a bit deeper and wider. They can sound a bit more detailed overall with improved dynamicsIāll leave it at that for the time being. I will soon upload to YouTube, the sound comparisons between the two Sony versions on my HEAR MY CARTRIDGES THREAD.
But now Iāve bought myself a nightmarish scenario.......
There is no replacement stylus for this cartridge!
There is no replacement cantilever for this cartridge!
Each time I play records with it, I am ākillingā it a bit more š„“š„
If I knew how long I had left to live......I could program my ālistening sessionsā š¤Ŗ
But failing this.....I canāt help but feel slightly uncomfortable listening to this amazing machine.
- ...
- 358 posts total
as a one-piece construction like THIS haaaa....this is not a single piece of cantilever that connects to the coils but it is a plug! Will it be a rip-off? And again ... what does that silver color near the stylus mean? @halcro beautiful macro photos. |
@halcro Henry, the man behind Sony UK since the '80s, Eric Kingdon, agrees with you: Together with the Sony PS-X9 tt and the XL-55Pro cart, he ranks the XL-88D at the top of Sony offerings in the audio realm.Ā It is very hard to find this gem indeed, but I think you can keep chasing a second one while you enjoy the one you have by now til the end of its days.Ā |
If I remember well ''Grgaudio'' (?) who made this long list with carts + his own valuation mentioned his XL 88D as retiped. In my sample the cantilever was not round nor the (aluminum) joint pipe behind. I deed not ask Axel to retip my sample but to straighten the stylus. The usual procedure is to dissolve the glue , remove the old cantilever and glue the new one instead. That is why the ''standard'' retip with cantilever/stylus combo looks so easy (considering the price) . Anyway if an retip is possible this will also be ''big relive'' for our Aussie .Ā |
Eric Kingdon may be slightly biased Gallus....š¤©? The normal XL-88 is far better than the either the XL-55 or XL-55Pro IMO.....but trying to corner the market on XL-88D cartridges in mint condition, is not on my radar š¤Ŗ Thereās no way the XL-88D can be re-tipped as there is no glue involved whatsoever. The stylus and cantilever are formed out of one complete piece of synthetic diamond. |
- 358 posts total