Actually 24 frames per second was a compromise, not perfect, but good enough in the early days when film was expensive. As "film" dies, and costs decrease, we will move towards higher frame rates to improve perception of motion. You know that "film" was flashed 3 times per second, which again was not ideal but an acceptable compromise.
Being able to see differences between 1080P and 4K is more a factor of corrected vision and screen distance, not age, at least to a somewhat advanced age unless there is specific macular degeneration.
Knowing everything about CODECs, digitizations and the limits of human hearing will not tell you anything about a specific DAC implementation and its susceptibility to EMI.
Being able to see differences between 1080P and 4K is more a factor of corrected vision and screen distance, not age, at least to a somewhat advanced age unless there is specific macular degeneration.
Knowing everything about CODECs, digitizations and the limits of human hearing will not tell you anything about a specific DAC implementation and its susceptibility to EMI.
jason_k20176 posts11-04-2019 12:56am@nonoiseThe one thing I do know is that if you decode an encoded stream in a quality DAC with the the same codec with which it was encoded then it will be as near to perfect as anything else I can throw at my sound system. My turntable (which is no longer used) is not perfect, my CD player is not perfect, my DB receiver is not perfect. Nor are yours. None are
@jason_k2017, are you suggesting that what you're hearing is exactly as it was encoded? That your DAC is perfect?
You should read up a little on codecs, digitzation and the capablilities and limitations of the human ear. There is a point at which nobody can detect an changes to audio. If you can't grasp that, think of your eyes instead and why film only needs only to be at 24 frames per second and why you have to be reasonably young to see any difference between 1080 and 4K TV

