Ceramic insulator cone under phono stage shocker!


I have used small ceramic insulator cones underneath my phono stage for quite some time.
Previous phono was a Gold note ph10 and it did not make ANY audible difference I could detect which way up the cones were so I had left them cone upwards.

When I changed my phono to a Manley Chinook I just left the cones same way.
This afternoon I decided to flip them over so cone down just to see.

I honestly could not and cannot believe the difference!
I may have lost a smidge of low bass but everywhere else is improved in spades.
Much more detail, resolution, air, imaging, dynamics.
Just completely shocking how much better a small change has made.

But I am perplexed why such a huge change on the Chinook where I noted nothing on the ph10?

Any theories here?
128x128uberwaltz
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DH  should start an advertising campaign....showing a picture of the (Mediums) along side of Jane or maybe a more recent gal, with a "thought cloud" saying......"the sound you always dreamed about".......
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elizabeth
I wish someone would do some study of the changes in sound different shapes of cones create? And what changes in dnesity cause?) I know there are also ebony flattish cones similar to the flatter DH, also the dome shape have similar type in ebony. (I have both in ebony, plus small and medium dome type in ebony. But I am too preoccupied with my exotic wood blocks to go back and putz around with footer shapes. Plus the THREE vs FOUR business? Maybe next year, once I have really explored the exotic wood enough.

>>>>Been there, done that. And as far as I know I’m the only one who has. We covered that last semester. But don’t dismay. There’s always summer school. Do an Audiogon search for Mohs scale of Hardness and all will be revealed.

Geoff Kait
Machina Dynamica
Advanced Audio Conceits