Your favorite Electrostatic, Panel spkr

The GT Audioworks planar speakers are a must audition - they do not have a crossover on the main 6ft. Panel, utilize a proprietary membrane that is neither solely Mylar or Kapton and as a result handle tremendous power effortlessly.
They are  designed to be mated with either 2,3,4 or 6 open baffle servo woofers.
click below video 

https://youtu.be/2ZgRiAdbDNw

I'm glad to see Sound Lab mentioned so many times. I have owned the same pair of Sound Lab speakers, model A-2, for 35 years. They are the smallest pure electrostatic Sound Labs ever made. They are a two way. Even though I have lusted after the larger Sound Labs, I have never felt the need to upgrade because the smaller size is convenient (they are by no means small however) and Sound Labs have a family sound. With the larger speakers you get more and deeper bass, but the bass on my speakers is quite adequate, thank you, and the tonal quality is similar to the other Sound Labs I have heard, which admittedly is not very many. I did get to spend an evening listening to Jeff Rowlands A-1s, the top of Sound Labs line at the time, with the then new Rowland Model 7 amps, and was still happy with mine. Imaging is amazing since they are a true line source. For years I listened to many other speakers thinking there must be something better out there, but finally gave up. It was pointless. I would consider no other electrostatic brand, and would not be without a pair. I drive mine with 25 watt Mark Levinson ML-2 amps. I bought them used in about 1985, and did have the mylar replaced with the then new thinner mylar back in the early '90s.

faxer, those look like someone from Apogee decided to start his own company. The construction is very similar.
select hifi, If you have not already put some acoustic foam tiles on the wall directly behind the panels. I would think 2 wide and 3 high. They are 12" tiles. This will cut the reflection of frequencies above 250 Hz and usually improves the image quite a bit. There is no reason that they should not image as well as the Apogees. You would think better as there is no crossover.  https://www.parts-express.com/sonic-barrier-fwp122-studio-acoustic-foam-wedge-panel-12-x-12-x-2-black-12-pack--260-547
jdl57 driving those with ML-2s is brilliant. Those are some of the best sounding amps ever made. John Curl designed them, they are straight class A and the shoot way above their power rating. Some people think they switch to AB and keep going but Mark Levinson himself denied it. I think the question should have gone to Mr Curl. That fact that they are going after all these years speaks highly of their construction quality.

Actually, I was reading a post a while ago on DIYaudio.com. It was about the power switch on the ML-2. John Curl answered it and stated that he was not involved in the final layout of the ML-2, he had worked on the project however. Tom Colangelo is credited with the design of the ML-2. I do have a Vendetta Research phono stage however, that was all John.

I first heard the ML-2 around 1980, powering a pair of Magnepan Tympanis. I never forgot that experience. After building my big horn speakers that I talk about elsewhere, I was no longer satisfied with the sound of my Sound Labs. It was then I discovered that the ML-2 was designed specifically for electrostatics, specifically the Quad ESL 57. They are large, heavy, draw 400 watts at idle, and with 400 watts to make 25 watts, you can rest assured they are 100% class A. All of my amps are Class A. They are about 1/2 heat sink by volume, so they don't really get all that warm. I also have a British Fidelity A-1 integrated, another Class A amp that people say is not, and that little darlin' gets HOT. It pulls about 180 watts to make 20, but it does not have the current capability of the ML-2.  I found a pair, and yes a lot of caps had to be replaced, but they are every bit as magical as I remember. They returned the Sound Labs to the top of my favorite speaker list again. Actually, I think that is a testament to how well my horn system turned out. It is essentially an Altec Voice of the Theater system with a ribbon tweeter added. And, yes, it is time aligned.