In a balanced preamp the phase switch simply redirects the inverted phase to the non-inverted circuitry and vice versa. Its completely passive.
With many recordings the correct position is inaudible, owing to the recording being multi-tracked and mixed. The phase may be different depending on the instrument playing! So usually you only hear it on true stereo recordings, those done with only 2 or 3 mics (the latter being the Mercury process or Decca stereo tree, that sort of thing). The problem is that 50% of all recordings regardless of the media are not in absolute polarity while the other 50% are. Switching your speaker cables around to deal with this is a pain which is why we included the switch since we were making a balanced line preamp anyway.
You just have to try it and see. I seem to hear it easier with brass instruments.
With many recordings the correct position is inaudible, owing to the recording being multi-tracked and mixed. The phase may be different depending on the instrument playing! So usually you only hear it on true stereo recordings, those done with only 2 or 3 mics (the latter being the Mercury process or Decca stereo tree, that sort of thing). The problem is that 50% of all recordings regardless of the media are not in absolute polarity while the other 50% are. Switching your speaker cables around to deal with this is a pain which is why we included the switch since we were making a balanced line preamp anyway.
You just have to try it and see. I seem to hear it easier with brass instruments.