lowrider57
... the Harvest release should sound better since it was an original flat transfer ...What is a "flat transfer?"
Tidal digital hi-fi vs records
Played remastered album on Tidal Hi-fi, and then played the remastered vinyl version.
No comparison. None. Tidal was DOA. No life.
I then played the original Harvest album. It was a little "dirtier" than the remastered record as you can imagine but -head shaking- it was three dimensional, in the room and so much more dynamic.
Drum sticks sounded like they were made of wood. Tamborine had color. Ah dammit. It was just better by an order of magnitude that it made both the remastered efforts pointless.
No comparison. None. Tidal was DOA. No life.
I then played the original Harvest album. It was a little "dirtier" than the remastered record as you can imagine but -head shaking- it was three dimensional, in the room and so much more dynamic.
Drum sticks sounded like they were made of wood. Tamborine had color. Ah dammit. It was just better by an order of magnitude that it made both the remastered efforts pointless.
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lowrider57 Using a direct copy of the analogue master to produce CDs. Minimal compression during the A to D process, no remastering, no additional EQ added.The OP is talking about LPs here, not CDs, so I'm not sure what you're trying to say. If you're suggesting that early LP pressings were always made from original analog masters, you're mistaken. That's especially true of popular records, because they were commonly pressed at various plants around the world. The amount of compression would vary from plant-to-plant, and original masters were often not used. That's why many collectors often prefer pressings made in the country where the artists originated, because it would be more likely to be made from the analog master. |
I believe the OP is comparing an analogue mastered vinyl pressing vs. a digital remaster on vinyl vs. a digitally remastered file via Tidal. I should have used the word digital instead of CD. This is why I asked which album he is referring to. I only know it’s on the Harvest label. Of course, the pressing plants are not using the original master, but typically a first generation dub. I can only assume the OP is playing music which was originally from an analogue source. And yes, the amount of compression at this final stage would vary between facilities as well as the variation in cutting. |
A few years ago I purchase a Behringer UCA222 - a little A/D converyer - Cost $35 - Converts analogue to 16/44. - recorded content sounds amazing https://www.amazon.ca/Behringer-UCA222-Ultra-Low-Latency-Interface/dp/B0023BYDHK I've recorded a few albums, just to see if I could hear a difference between my Analogue side and digital side, because I had compared analogue versions to CD's and found the same as Lowrider57 - the mastering of different sources are always tweaked a little differently. Using this simple little A/D converter I was able to eliminate those mastering "refinements" from the equation because my "master" was the analogue version. I was amazed at just how good my digital side performs - i.e. I had to listen really intently to discern any differences bewteen the analogue version or recorded digital version - and that's conducting A/B listening simply by switching inputs. So now I am confident that my digital rig is aproaching the sound quality of my analogue rig and I attribute any noticeable differences to - the mastering techniques applied to a recording or - the data rate at which a song is broadcast. With those two things in the mix it is pretty pointless in comparing the two different formats. So now I just listen to the music and enjoy Regards Steve |
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