How Is MQA Fareing?


 In another thread here are posters are making comments about MQA suggesting that it isn't a big commercial success, that is should be called DOA, etc.  Yet there are always announcements about companies adopting MQA, testimonials from happy Tidal streamers, etc.
  I'm neutral on MQA but having witnessed more than a few formats go down in flames in my time, and still puzzling over the resurgence of vinyl, I wonder how one measures the marketplace progress of MQA.  Do we look at Tidal subscriptions?  Sales of MQA compatible DACs?  The size of Bob Stuart's house?
mahler123
@ejr1953 

I was thinking about purchasing the Brooklyn DAC to realize the true potential of MQA recordings. 

Would you say, a well recorded MQA recording provides substantial audible upgrade with Brooklyn DAC over their 16bit/44.1kHz counterpart on Tidal HiFi.  One such album is Stepping Out by Diana Krall. The 'Body and Soul' and 'Jimmie' tracks are absolute joy! 

I own a ARC DAC9 and both MQA and Tidal HiFi sounds pretty darn good. I do hear bit more depth and clarity in upsample (384kHz) mode when I am listening to a well recorded album or a track. FYI, DAC9 does not have MQA decoding on board. 
Lalitk,

I would say "yes" to the question of whether a well mastered MQA version sounds "better" than a previously mastered CD quality version might sound, not all the time, but more times than not.

When well mastered, with MQA I find the bass is better defined, vocals sound more "analog" as do acoustic instruments (particularly well recorded piano), and as a former rock and roll drummer, the "timbre" of striking a ride cymbal gives you a visceral experience that I haven't heard from "regular" CDs.

I also don't think the major benefit from MQA is the "unfolding" into a higher resolution file, though that's definitely a bonus.  I feel the major benefit is the "deblurring" that only full end-to-end MQA decoding offers, only from an MQA DAC.  There are some MQA albums that report they are CD quality (where the DAC reports they are 44.1/16bit) but the "deblurring" makes for a sound which is not "edgy", as some PCM can sound.

The DAC chip in the Brooklyn is very good, but not what my PS Audio DirectStream DAC offers (at three times the price, I might add), but when listening to MQA thru the Brooklyn, I'd say the sound quality is comparable to the DirectStream DAC playing "regular" CD quality, oftentimes superior.
ejr1953,

I appreciate your candid feedback. I can totally relate to above as I experience these very same attributes while listening to my 24bit/192kHz downloads vs. Tidal HiFi. I must add, as good as Tidal HiFi is on 16bit/44.1kHz recordings, high res files are just so much better especially when your system is capable of revealing every last ounce of detail.

I don't wanna continue buying high res downloads so I will give Brooklyn a try and hopefully it’s a keeper in my system.

Cheers!
Lalitk,

BTW, the Brooklyn has a really good headphone amp, with lots of power to drive the most inefficient headphones, a real bonus.

It also has the ability to hook a turntable (something I don't own) and from what I've read that capability is well done as well.
ejr1953, 

That's good to know. But I don't own a headphone or turntable. Like yourself I am very content with spinning my modest and rare collection of SACD's, XRCD's and K2HD's.  

I got into digital streaming couple of year back for the sheer convenience but now more focused on improving that experience.  
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