How Is MQA Fareing?


 In another thread here are posters are making comments about MQA suggesting that it isn't a big commercial success, that is should be called DOA, etc.  Yet there are always announcements about companies adopting MQA, testimonials from happy Tidal streamers, etc.
  I'm neutral on MQA but having witnessed more than a few formats go down in flames in my time, and still puzzling over the resurgence of vinyl, I wonder how one measures the marketplace progress of MQA.  Do we look at Tidal subscriptions?  Sales of MQA compatible DACs?  The size of Bob Stuart's house?
mahler123
@bkmaxeyVery interesting.  Thank you posting that.  
You'll never see that point of view in Stereophile or The Absolute Sound.
To 2psyop - but I CAN hear the difference between Tidal Masters and the same original albums - not MQA encoded. For me, original albums sounds more like vinyl via tube ?
It's always good to hear an alternate point of view, but it sounds like Linn just doesn't want to pay Meridian whatever costs they might incur in implementing MQA.  Linn can always develop a better/cheaper way of streaming hi-res files if they want.

Tidal streaming is the main source for MQA listening right now.  Tidal also streams cd quality and mp3.  You pay more if you want higher quality or less if you want lower quality.  The choice is yours.

I think streaming is the future for digital audio. If enough people find MQA worth paying extra for, it will succeed, if not, it will fail.  I don't see it as a conspiracy to harm music.
Recently upgraded my MSB Analog DAC with the new MQA module. I was previously streaming Tidal Master and it sounded good but to actually decode the MQA is much much better. I am happy with it and expect that MQA will continue to grow. 
MQA - is not worth time and effort. Consensus with my audiophile contacts is some things sound a bit 'better' will others a bit worse! Mostly it just makes things sound slightly different and NOT better. When I recorded tracks 20-30 years ago, we would take a mix and run out to our car and listen to see how it came across on the vehicle's cassette player. This was an effort to see how things sounded in the real world and our final mixes were adjusted accordingly. Getting that mix prior to that step does not improve anything. 
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