You may be like me. I prefer intrinsically damped speaker drivers. Paper pulp and doped fabric - no metal or ceramics for me.
the problem with a rigid driver is that it MUST necessarily have internal vibrations (hit a wine glass with a spoon or think of a bell). This is unavoidable physics. I find rigid drivers often sound hashy and lack the natural sparkle that you get from a damped driver - it is all about timbre and the decay that some people are more sensitive to than others.
Your PMC 22 are paper pulp with a soft dome tweeter and in my mind there is no surprise they sound sublime
That said, some rigid driver designs are better than others. Focal sound pretty good for example - light rigid drivers can be driven by smaller cheaper drive motors and they have a flatter frequency response but they all vibrate internally which can affect timbre - some have added rubber damper dots to ceramic drivers to try to band aid the problem (like putting your hand on the cymbal after hitting it to "choke it") others have used stitching on the rubber surround to dampen the cone (common for a while with polypropylene cones)
Not all pulp paper and soft drivers are superior - being less rigid the designers must worry about breakup of the cone. So it is not completely black or white but what advantages/shortcomings that you as the listener are prepared to accept.
the problem with a rigid driver is that it MUST necessarily have internal vibrations (hit a wine glass with a spoon or think of a bell). This is unavoidable physics. I find rigid drivers often sound hashy and lack the natural sparkle that you get from a damped driver - it is all about timbre and the decay that some people are more sensitive to than others.
Your PMC 22 are paper pulp with a soft dome tweeter and in my mind there is no surprise they sound sublime
That said, some rigid driver designs are better than others. Focal sound pretty good for example - light rigid drivers can be driven by smaller cheaper drive motors and they have a flatter frequency response but they all vibrate internally which can affect timbre - some have added rubber damper dots to ceramic drivers to try to band aid the problem (like putting your hand on the cymbal after hitting it to "choke it") others have used stitching on the rubber surround to dampen the cone (common for a while with polypropylene cones)
Not all pulp paper and soft drivers are superior - being less rigid the designers must worry about breakup of the cone. So it is not completely black or white but what advantages/shortcomings that you as the listener are prepared to accept.