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Need help with DIN to RCA phono cable troubleshooting

Somehow, I am currently having an issue with an apparent ground problem with my DIN (female five pin straight connector) to RCA phono cable. The arm is a Dynavector 501 mounted on a custom plinth, supporting a Garrard 401 table.

There is a reduction in overall volume, bass frequencies are MIA, and this is all accompanied by a loud hum. I have tried doing a continuity test from a spare headshell to the ground cable, and RCA terminations. I can't tell where the ground was interrupted, I need guidance in how to test for proper continuity in relation to signal and ground leads. Also, I don't know where the shielding should be connected, so a thorough explanation will be needed.

 Thanks for any help that can be given.
 Regards,
 Dan
Ag insider logo xs@2xislandmandan
nandric's avatar
nandric
4,086 posts
 

I agree with comrad Dover. Not because I fear for my life but

because he promissed to me some of this New Zealand's

''holy water'' which I certainly can use at my age.

Well I hope I will not add to further confusion but I made myself

some of those ''symmetrical single ended ICs''. Not political or

ideological but scientific explanation is as follow. The shield around

(two wire) which is connected to only one side of the RCA

connectors is the so called ''Faraday cage'' with electrical property

to protect the signal  from outside ''disturbances''. Some IC's

have marked arrows which suggest the direction for the connection

which should follow the source signal. This can't be done by a

phono-cable so we must connect the other way round: at pin 1

of the XLR connector. The strange looking expression ''symmetrical

single ended IC'' is the name for the cables with such shielding

provision. A name is not predicative qua linguistic nature but

has only the function of reference.

atmasphere's avatar
atmasphere
11,625 posts
 
I don’t think this is optimal in a signal ended system. The fifth pin grounds the arm. You run the risk that if someone connects the shield to the RCA at the preamp end then an earth loop is created.
You are correct, however the comment was made in response was to this:
Nandric - for all phono both balanced and unbalanced the arm earth ( 5th pin ) should be a separate wire which you connect to preamp chassis. This simply grounds the arm itself and has nothing to do with the cartridge signal.
Which in the case of balanced operation is false. In a balanced setup, the tone arm ground is pin 1 no if ands or buts. You might want to take a look at how the balanced standard operates- AES file 48 defines it.

(FWIW, we were the first to recognize that the phono cartridge is an inherently balanced source and began using it that way in 1988. If there was a ground loop problem I'm sure we would have run into it by now, but if you understand how balanced works- the ground is **ignored** by the input of the phono preamp. This could be done by an SUT, which would have its primary connected to pins 2 and 3 of the XLR which is the cartridge connection, and no connection whatsoever to pin 1, which is the tone arm ground.)
If I read your post correctly you are grounding the floating signal shields at the sending end ( tonearm ) via the arm ground wire to the preamp chassis, whereas I ground the floating signal shields at the preamp end separately to the preamp grounding post. Since all three shields are floating and only connected at one end they cannot create an earth loop.

No, I don't think you read it correctly. I think it also possible I did not understand your post either.

In a single-ended system the cartridge is **never** at any point grounded to the tone arm, its grounding wire or the chassis. If the (single ended, with RCA input connection) preamp is wired correctly (and many are not) the circuit ground will not be the same as the chassis ground (if it is, a ground loop occurs). Usually the circuit ground is referenced to the chassis by some means that prevents any significant ground loop current. So the signal "ground" (which is arbitrary as the source is balanced), which is really the 'minus' or inverting output of the cartridge, is tied only to the circuit ground and not the chassis. Meanwhile the tone arm ground is tied to chassis and not the circuit ground. No ground loop is possible.

Again, what I actually said was that in a cable that has a conventional twisted pair plus shield construct that I prefer to disconnect the floating shield from the RCA and connect the floating shield ( not the -ve signal from the cartridge ) to the preamp chassis via drain wires. In my experience that arrangement has lowered the noise floor.
If such a wiring situation were to exist, this would be the proper practice (if this is what you meant the first time 'round, IMO you stated it much better this time!). However this is unusual in a single-ended connection (although in this case it is easier to see how the cartridge is in fact a balanced source).
nandric's avatar
nandric
4,086 posts
 

For my Reed 3P I ordered by Vidmantas symmetrical (aka XLR)

cable. I own Basis Exclusive phono-pre which can be used both

ways. All my previous Reed's were single ended. To see for myself

I unscrew one of the XLR connectors and was able to see clear

that both (of two) wire were connected to pin 2 and 3 while the

shield is connected with the pin 1 with the help of an soldered wire

to the shield. There is no ground wire by my Reed 3 P but there

is also no Din 5 connector involved because the cable is all the

way from the cart to the phono-pre. However I could not see the

other side of the cable and have consequently no idea if the

shield is connected  to the arm mass.

Ag insider logo xs@2x
cleeds
5,665 posts
 
atmasphere
... FWIW, we were the first to recognize that the phono cartridge is an inherently balanced source and began using it that way in 1988.
Ralph, you are mistaken. Broadcasters used balanced phono connections way back in the '60s and '70s, and maybe even earlier. Back then, LPs and 45s were common in radio studios, even where the station also used broadcast carts.
nandric's avatar
nandric
4,086 posts
 

Dear Dover&Atmasphere, Instead of quarrel about ''who knows

better'' your duty as the old experience members is to teach the

other members. For every member who would like to try symmetrical

connection the following information is necessary. First is the

question what condition need to be fulfil by a phono -pre to be

called ''symetrical''. XLR connectors on any pre don't ''imply''

symmetrical kind. Second in order to modify single ended cable

and exchange RCA for XLR connectors one need to know how

to do this. For this purpose I asked Dover my question about

the ''right method''. I think that those ''Neutrik'' XLR connectors

are better than any RCA while much cheaper at the same time.

So everyone who owns an symmetrical phono-pre can try

to do this by himself. BTW those XLR connectors are more

easy to solder. Atmasphere should explain why symmetrical

sounds better because there is no consensus about this question.

No consensus means confusion.

The fact that each cart is an ''balanced device'' is not sufficient

reason to mess with connectors and cables. Without any reward

there is no sense in the effort.

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