I answer because I recently got a modest vinyl setup.
My recommendation is to go with a late 70’s higher end Japanese mass produced DD turntable like Pioneer PL-550 (manual with heavy plinth and platter) or similar (Technics, Denin and others were good too). These are often available refurbished. You are looking at $500 for a restored one (new veneer and caps and serviced parts). These have the S arm which is medium to heavy weight for cartridge compliance and a very heavy base/platter and with quartz lock. The wow and flutter and rumble are good enough considering the quality of vinyl you will be buying (mostly used).
I got into TT in the early 80’s and at that time light plastic TT had become very popular (I had a mid level Denon back then). Same movement towards super light graphite arms. I don’t like the light plastic acrylic design. I don’t like superlight arms. I don’t believe the marketing. My experience is that the best designs were mid to late 70’s. Heavier plinth and platter is better IMHO. Medium weight arm is best for all round performance and allows use of lower compliance cartridge. Of course you can get super heavy fantastic modern TT for 10K and up but the next best thing is a heavy audiophile quality vintage TT mass produced at the peak of vinyl’s popularity in the late 70’s (well refurbished).
So save your money to buy Japanese vinyl pressings of rare or interesting stuff. You get more bang for buck in terms of audio quality buying Japanese Vinyl than spending 10K on a TT. Frankly, most vinyl (US and UK) is garbage and mass produced Vinyl after the mid 70’s was and remains garbage. Earlier vinyl can be good. German pressings are often better but Japan quality is overall on average head and shoulders above the rest.
You also need a cartridge. This is as important as the pressings. You need something that suits your taste. For starter you cannot go wrong with a Denon DL-110 - this is one of the few MC cartridges that works with the more common MM phono preamp. It was used in broadcast for years and gives you that classic sound (which should be one of the reasons you go for vinyl as well as ability or fun to find rare vintage stuff).
Even in the 80’s, as a student, I bought exclusively Japanese pressings over US garbage - despite the much higher cost. They are more expensive but SO worth it if you have an audiophile ear. Recently I buy from Japanese sellers on eBay with excellent results. I have only been duped by a Western seller on a Dire Straits boxed set that was ostensibly fron Pallas Germany pressing but turned out to be a cheap garbage pressing from gzvinyl (largest mass producer of garbage) - so beware - vinyl quality is terrible.
This is just an opinion - two cents - many experts will vehemently disagree - just offering you some food for thought.
My recommendation is to go with a late 70’s higher end Japanese mass produced DD turntable like Pioneer PL-550 (manual with heavy plinth and platter) or similar (Technics, Denin and others were good too). These are often available refurbished. You are looking at $500 for a restored one (new veneer and caps and serviced parts). These have the S arm which is medium to heavy weight for cartridge compliance and a very heavy base/platter and with quartz lock. The wow and flutter and rumble are good enough considering the quality of vinyl you will be buying (mostly used).
I got into TT in the early 80’s and at that time light plastic TT had become very popular (I had a mid level Denon back then). Same movement towards super light graphite arms. I don’t like the light plastic acrylic design. I don’t like superlight arms. I don’t believe the marketing. My experience is that the best designs were mid to late 70’s. Heavier plinth and platter is better IMHO. Medium weight arm is best for all round performance and allows use of lower compliance cartridge. Of course you can get super heavy fantastic modern TT for 10K and up but the next best thing is a heavy audiophile quality vintage TT mass produced at the peak of vinyl’s popularity in the late 70’s (well refurbished).
So save your money to buy Japanese vinyl pressings of rare or interesting stuff. You get more bang for buck in terms of audio quality buying Japanese Vinyl than spending 10K on a TT. Frankly, most vinyl (US and UK) is garbage and mass produced Vinyl after the mid 70’s was and remains garbage. Earlier vinyl can be good. German pressings are often better but Japan quality is overall on average head and shoulders above the rest.
You also need a cartridge. This is as important as the pressings. You need something that suits your taste. For starter you cannot go wrong with a Denon DL-110 - this is one of the few MC cartridges that works with the more common MM phono preamp. It was used in broadcast for years and gives you that classic sound (which should be one of the reasons you go for vinyl as well as ability or fun to find rare vintage stuff).
Even in the 80’s, as a student, I bought exclusively Japanese pressings over US garbage - despite the much higher cost. They are more expensive but SO worth it if you have an audiophile ear. Recently I buy from Japanese sellers on eBay with excellent results. I have only been duped by a Western seller on a Dire Straits boxed set that was ostensibly fron Pallas Germany pressing but turned out to be a cheap garbage pressing from gzvinyl (largest mass producer of garbage) - so beware - vinyl quality is terrible.
This is just an opinion - two cents - many experts will vehemently disagree - just offering you some food for thought.