Have you ever spoken with a designer or audio engineer


I'll never forget I was doing an audio banquet some years past. At my table were 2 audio engineers. At the banquet they had a lottery for audio accessories. I happen to win a power cord from a fairly well known companies. One of the engineers laughed when I was showing it to people at my table. He said power cords are totally hocus pouch and there is no scientific studies proving there any better than stock cords. He said there basically made for insecure audiophiles. I had mentioned I already had some after markets cords in my system and they definitely made an improvement. He just laughed and said a sucker is born everyday in the audiophile world.


Now the guy I am talking about isn't some unknown schlub. He works for one of the biggest high-end companies in the world and is fairly well known. In fact some people think he is a great designer of audio equipment. I have only talked to a couple of audio engineers in my life and they were both skeptical.  I wonder if this is common among engineers and designers?
taters
I too would wonder why Roger elicits such animosity from some audiophiles, Chris, but your quotes from the RM-10 manual reminded me! He does not bow down at the altar of high end boutique parts. I believe it is as simple as that. In an interview, Tim de Paravicini of EAR-Yoshino was asked whether or not he was a "tweak", and he responded vigorously that he most certainly was not, he was too much of a professional engineer to be so. Roger and Tim seem to be able to make excellent sounding electronics with garden-variety parts, but designers/manufactures who use boutique parts do so too. But you're right Chris, Roger takes reliability very seriously. He started his career fixing broken electronics, and learned all the wrong ways to design and build an amp!
I repeat, from earlier in the thread,

"Amp designers are the worst, Jerry, the worst! They are at least two paradigm shifts behind the power curve. Sad, really. It comes from putting blind faith in audio circuits and being close minded to any other way of thinking. Happens all the time."

seasons greetings
Haven't personally talked with an engineer, but I did write a letter to Jack Renner (of Telarc Records fame) asking why he used different ADS monitor speakers, and B&W speakers. He wrote a nice reply, stating that when recording in Europe, their engineer there preferred B & W speakers. As far as ADS, they were using L1530's and L1590's at the time, and I was curious as to why. He replied that they liked the 1530 very much, but were looking for something newer. The 1590 was a bit lacking in low bass, and he said they were looking at using a subwoofer. He was very cordial and pleasant. I still have that letter!