Review: Denon DL-110 Cartridge


Category: Analog

While delving through my stash of phono cartridges came across this Denon DL 110 high output phono cartridge. Can't remember where this came from, but was new in box and never open. Oh well, remember fellow audiogon member Ed Kobesky had done a review on its big brother the Denon DL 160 and found that I agreed with him completely on the DL 160.

Have owned many Denons in the past 47 years in the hobby such as the 103,103D,103S,103R as well as the DL160 and now the DL 110. It is very hard to fault the overall Denon line of phono cartridges and when it comes to price/performance ratio, nothing else even comes close to the sonic superioirty of the Denon line up. And that has held true for well over 30 years.

With what we have in analog turntables and software today,with the vast majority of the used LPs to me it just doesn't make sense to spend tons of dollars in this medium,for it is all limited to the source material that is available.

Some of the so called new 180 gram and 200 gram pressings are worse in quality than finding a pristine or good used example from years gone by. There have been very few so called audiophile pressings that are worth the money to buy and some are just horrid sonically. Beware of the new audiophile pressings most are not worth the money spent on them.

Same with the hardware, turntables over $1,000.00 generally won't perform any better than a $500.00 table and much can be said of phono cartridges as well. In my opinion spending more than $400.00 in a phono cartridge is sheer lunacy. But it is your money and do spend it as you wish and remember the words of PT Barnum in doing so.

By any standard one would care to judge the venerable Denon DL 110 Moving Coil cartridge,one must agree that for its price point, this is a stellar phono cartridge,that his stood the test of time and continues to impress to this day. If memory serves me correct these broke onto the market in 1982 or so at about $125.00 retail for the DL 110 and now some 25 years later still in production and the retail price has gone up by $15.00 dollars to $140.00. Now thats value par excellence.

But none of the above would matter, if the DL 110 did not deliver the music. It does and has that wonderful Denon signature. The Denon DL 110 has a way of getting into the grooves and extracting the information contained therein with total authority. And when playing used vinyl there is hardly a better performer than the Denon DL 110, it will play vintage vinyl with aplomb, where other and more expensive phono cartridges just give up. Due to its diamond shape surface noise is all but non-existent. As well as several albums I have played that I thought had surface noise,when played by the Denon DL 110, that noise was gone!

Listed below are some of the Albums I used to audition or more precise to reaudition with the Denon DL 110.

Albums Are:

Bob James - Hands Down (Columbia FC 38067)
Hiroshima - Self Titled - (Arista MFSL1-525)
John Coltrane - Blue Train - (Blue Note BST 81577)
Wes Montgomery - Bumpin' - (Verve V6-8625)
Rickie Lee Jones - Self Titled - (Warner BSK 3296)
Wynton Marsalis - Live Blues Alley - (Columbia PC2-40675)
Eric Gale - Forecast - (KUDU Records KU 11)(CTI Records)
Kenny Burrell & Grover Washington Jr - (Blue Note BT 85106)
Earl Klugh - Finger Painting - (Blue Note MFSL 1-025)
Larry Carlton - Friends - (Warner 23834-1)
Sadao Watanabe - Autumn Blow - (Inner City IC 6064
Doobie Brothers - Minute by Minute - (Warner BSK 3193)
Santana - Zebop - (Columbia FC37158)
Pat Metheny Group - American Garage - (ECM 1-1155)
Frederick Fennel - Cleveland Symphonic Winds - (Telarc 5038)

A few others were used as well, but this gives you the idea of the music used.

I am not going to go into a long narrative and blow by blow description of each album and the resulting findings. But make no mistake the Denon DL 110 played all the above with a verve to total musicality. Balance,tonality,attack,decay, were spot on. Great frequecy response and channel separation to die for.

Here is a product that truly delivers well over its price range and how Denon can keep producing this stellar performer for $140.00 is a mystery to me. But I am certainly glad that they can.

Specs Below:

Denon DL-110 Specifications:

Output: 1.6mV

Stylus: Special Elliptical Solid Diamond

Cantilever: Aluminum

Frequency Range: 20 to 45,000 Hz

Tracking Force: 1.5-2.1g

Weight: 4.8g

Found that in my rig a setting of 2 grams tracking force with 2 grams anti skate worked just fine and yielded the best results.

In phono cartridges of today, one can do far worse in not picking the Denon DL 110. In my opinion having been around as long as I have in the hobby, this is an Icon product, that not only has withstood the test of time, but continues to do so today.

So when your ready to jump off the snob bandwagon and start to really enjoy the music again, the Denon DL 110 or Denon DL 160 will be waiting for you. After all in the long run this hobby is about the music and not the gear and paranoia that surrounds this hobby.

My thanks to Ed Kobesky for his review on the Denon DL 160 which prompted this review on the Denon DL 110. If it had not been for that review may have put the DL 110 up for sale, instead of using the DL 110 and would have missed a very musical experience. This has been a very pleasant surprise and reaquaintance with the Denon DL 110. This is one cartridge I will just wear out, then get another DL 110.

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Dealers in my area, no longer have a clue to what a turntable is much less a phono cartridge and how to set one up. With that being said, if a local shop did have that capability, then Ed is right, support them. My nearest dealer with analog experience is some 2 hours in travel time, and with what gas costs today not worth the expense.

For me with 48 years in this hobby and with the proper setup tools, fortunately I can handle this task quite easily.
How does the Denon 160 compare to the 103r? I can afford either, but I'd rather save the money and buy the 160 if there is a lot of similarity. I listen to rock. A lot of record show and thrift shop vinyl. I have a stock Planar 3/rb300.

I'm looking for a cartridge that leaves out a lot of surface noise. I currently have a Sumiko BPS (1995 version) and an even older AT 8008 ($100 cart circa 1992). The AT has a linear contact stylus. I've noticed the AT picks up substantially more noise, although the music it produces is beautiful. I need to put the BPS back on to compare the music, but the noise floor is way better on the BPS.

I just did the CS4 upgrade on my Bottlehead Seduction phono pre last night, which is mind-blowing. My current vinyl setup blows the transistors off of my digital setup.
With your listening taste and vinyl sources. My opinion is go with the DL 110 or DL 160. The 103R I have found works better with Jazz and Classical. Another choice would be the Audio Technica OC9 Moving Coil cartridge. New they run about $300.00. Still biggest value for the dollar is the Denon DL 110 or DL 160 only difference I can tell is the cantilever. the DL 160 uses a tapered cantilever while the DL 110 uses a non-tapered cantilever. Both have very low surface noise and to my ears both sound the same.

If you decide on the 103R keep in mind this is a heavy cartridge at 8.3 grams. Make sure your tone arm can handle that weight and is of medium or heavier mass.
Other than a notch in frequency response can anyone explain how one cartridge reproduces more surface noise than another? I don't see how the stylus can distinguish a groove bump due to dust or a vinyl defect from a groove bump that is music. (A computerized pop and click eliminator can do it, but that's another story).
Various stylus tips such as shibata,micro ridge and Fritz Gyer get further into the groove of the LP than an ellipitcal or conical stylus. While the Shibata, micro ridge and Fritz Gyer reproduce some stellar sonics, unless the record is absolutely clean and static free, those stylus shapes will reproduce those noises as well. A lot has to do with the recording itself and the pressing process used. While I was at Columbia Records, we had to assume that the conical stylus is the one that would be used the most for playback, as this tip was and remains the most prevelant in consumer use. Not all but certainly most low output high end Denon cartridges use a conical stylus and I have at one time or another used all Denons in the 103 range with my favorite being the 103D which uses a conical stylus, has a stellar signature and offers a very low surface noise. The Denon DL 110 and DL 160 use a ellipitcal stylus and that shape can be prone to surface noise. These are a .3x.7 ellipitcal as opposed to some that are .2x.7 which are not as quiet as that shape traces deeper.

I am not saying which is better for you, thats up to you to decide. Keep in mind that LPs from Columbia,RCA,Capitol and their spinoff labels were produced for mass market playback. We had to make sure the product played back on the most pedestrian of record players in the market place.

Very few LPs such as Mobile Fidelity series were aimed at the high end market. Although at Columbia we did have a swing at 1/2 Speed Masters. Which sold in very low numbers and were not that profitable.