Wilson Sophia II vs. Thiel CS3.7


Anyone compare the two directly?

Looking for detailed impressions on these two loudspeakers only if you feel you auditioned them in their absolute best light. Mis-matched systems and problems with synergy don't really reveal what a speaker can do, so be honest and voice your opinion only if you really know the strengths and weakness of each speaker.

Bass:

Which one went deeper, tighter more impactful, tuneful?

Midrange:

Which one had more presence, texture, tonal accuracy, inner detail, transparency?

Highs:

Which one extended farther, had less grain, sounded most natural?

Overall:

Which one was more coherent, dynamic, resolving, transparent?

Which one had a wider soundstage, fuller images, shaper images, better depth, layering, separation of instruments?

Which one has the more accurate tone for acoustic instruments?

Again, looking purely for sonic differences, how do they honestly compare to each other?

Thanks!
hce4
Interesting thread.

Some other speakers in this price range to check out:
Pioneer S-1EX, S-2X and PMC EB1i.
"Thiel claims the 3.7, unlike all prior Thiel models, has a benign impedance characteristic that is easy to drive."

I kind'a doubt Thiel would make such a claim. Thiel has been designing that type of "benign impedance charateristic" for decades in all their speakers. For example; Thiel's own advertised measurements for their own 20 year old Thiel CS 3.5 is 4 Ohms nominal, 4 Ohms minimum. Perhaps Thiel's current measurements are more accurate, and perhaps their current speakers are better at this task, but Thiel has been aiming to do this, and has done so quite well for some time now.
I think you're right that Thiel did not officially claim anything about the 3.7 being easier to drive (phase angle closer to zero) than previous models. I believe I got that idea from a non-quantitative statement by Thiel's customer service rep, Gary Dayton:
http://www.thielaudio.com/weblog/2006_10_01_archive.html

The published specs say the impedance magnitude dips to 2.8 ohms, but there's no spec regarding the phase angle.
Some of the most recent Thiels are indeed more sensitive than the older ones. The 3.7's seem to be a return to tighter impedance curves, but, I don't really believe that was ever much of a concern. Still the tighter the better. I suspect these moves are all an attempt to allow users to use less powerfull amps and perhaps open the fold to users that prefer tubes. While I have the most sincere respect for Jim Thiel, I can't help but wonder if he would be better off risking some sensitivity in order to keep a flat impedance load above 4 Ohms, like some of the older models.
I've never heard the Sophia II, but the technical descriptions I've read of the changes seem pretty minor. They're still using the same Focal inverted dome tweeter, but with some new modifications to reduce its distortion somewhat.

I disliked the Sophia because of its whitish, grainy treble.

Same can be said about Wilson System 7 and 8. They look very similar on paper, but sound very different.

I peronally hated system 7 - I was very "hot" sounding to my ears, esp. in the treble - but I have to confess that the new system 8 is very listenable.

Prolly same can be said about the Sophia 2, since once properly broken in (they require 400h or so), they DO NOT sound "whitish" or bright at all.

And that comes from an ex-Avalon Eidolon Vision owner, which should tell you a lot.