Mrtennis...If you think the MG 1.6 high end is exagerated use the externally mounted tweeter padding resistor that the manufacturer provided. My measurements confirm Magneplanar specs which show no high end boost. It's flat. They say that many commercial recordings have boosted high end to compensate for HF roll off of most speakers, and that's why they provide the resistor. And, by the way, don't get upset by having a resistor in series with the tweeter. Every crossover that I have ever seen has a tweeter padding resistor: it's just that most manufacturers hide them inside the cabinet so the user cannot select to his preference.
Classical speakers that do violins well??
All my serious listening is classical.
I hate nothing more than steely shrillness on violins or a glare on a soprano's voice.
I love nothing more than the faithful reproduction of the tone colors of unamplified instruments (the wood body of the violin and cello, the felt pad excting the sinewy strings of a piano).
YET, I hate bloated, indistinct, overly warm, billowy lower mids and upper bass (what I gather some think of as "musical").
Do you have any experience with speakers that might meet these needs for $2K, give or take (new or used)? Can be either floorstander or monitor, but with at least enough bass to perform decently on orchestral music. THANKS.
-Bob
I hate nothing more than steely shrillness on violins or a glare on a soprano's voice.
I love nothing more than the faithful reproduction of the tone colors of unamplified instruments (the wood body of the violin and cello, the felt pad excting the sinewy strings of a piano).
YET, I hate bloated, indistinct, overly warm, billowy lower mids and upper bass (what I gather some think of as "musical").
Do you have any experience with speakers that might meet these needs for $2K, give or take (new or used)? Can be either floorstander or monitor, but with at least enough bass to perform decently on orchestral music. THANKS.
-Bob
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- 81 posts total
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- 81 posts total