Recommend a forward speaker


Apologies in advance for cross posting this on AA as well, but figure there might be some different suggestions over here.

When I say forward, I mean the music is presented forward on the stage, NOT necessarily bright (but could lean that way).

I've got a pair of Verity Audio Parsifals, and they are not forward, and although I love their coherent and open sound, sometimes I feel like the stage is just too far back. I've done a lot to bring it forward: silver cables (Stereovox), Amperex 6922 in my amps, Canary ca 160 amps, Emm front end, still, the basic character of the speakers are still laid back. The soundstage at this point is probably about 3 to 4 feet behind the plane of the speakers. I prefer it at or slightly forward the plane of the speaker. That's what I get for buying without listening first. Although, honestly, it took some listening to finally put my hand on this. I was so taken aback by their beautiful, open sound, it was hard to understand their presentation fully.
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I actually liked the bass on the Sophias, it wasn't exaggerated, unlike the Audio Physics which felt too large for the room. I also liked the presentation of the Sophias. But there was definitely something unreal about the decay. The Parsifals don't exaggerate the bass, have nice detail, but also have a much more natural decay. I told the dealer what I thought about the Sophias, and he told me that Wilson actually intentionally de-emphasizes the decay in their crossover. I'm hoping the ATC have a lighter, tighter bass like the Parsifal, but push the soundstage forward without making it sound artificial.

There was something not quite right about the Sophias, this was what I heard, maybe I'm not communicating it correctly.
While I am in no way as learned as the other responders here I would like to relate my experience with sound fields . It does mimic some of the respondants .

I used to use an all in one system . A Rotel 5 channel amp , Rotel pre/pro , NAD CDP and JMLab Electra 926 speakers . This system was set up in a 13' X 24' room with the speakers @ 1' from the side walls , @ 8' out into the room , 11' apart and toed in to the listening position 11' away .

Almost all of the music was presented with a soundstage that was high deep and wide . It seemed to exceed the rear wall and be outdoors ! I could easily pick out each performer , on the discs that were recorded well . Maybe an affect that would approximate the 10th row .

I had a couple of discs that would project some of the sound behind me ! Quite startling !
Another disc did the soundstage thing as usual high , deep and wide . Except for one song that put the singer right at my feet ! Very eye opening !

My point here is could the soundstage thing be dependant on the material itself more than the equipment and setup ?

Just a thought .
I told the dealer what I thought about the Sophias, and he told me that Wilson actually intentionally de-emphasizes the decay in their crossover.

I am not sure what the dealer means here. Any resonance will be controlled by the box volume, porting and woofer selection. Some speakers resonate due to the use of light weight rigid drivers (Ceramic for example) and these ring like a bell ( a sort of gloss or sheen to the music) at some non musical related frequencies that require taming with notch filters but are never completely absent (Audio Physics have ceramic mids in several designs)

Are you hearing something further up in the lower midrange crossover or upper midrange crossover that you don't like? I don't dispute your observations and only you can choose the correct speaker for your tastes. Crossovers are the main compromise in three ways. You may find active speakers sound more natural through the entire range, as there are no crossovers.
What I heard was in the midrange area, and actually, throughout the spectrum. Each note, each instrument and voice, felt dis-integrated from the whole. I could easily analyze every individual note, but never felt like they all came together cohesively in a musical way. It just didn't sound real. I don't know if it was the box, the crossover, the drivers... I just know what I heard. I also have a feeling the electronics played an important part, and from what I heard, I'm not sure Audio Research is for me. Neither the Audio Physics nor the Wilsons felt musical to me, though the Audio Physics were better than the Wilsons.

All that said, I auditioned Usher and Piega speakers today, and both of them were much better than either the Wilsons or Audio Physics. Same amount of detail, more air w/ the Piegas, musical, and more exciting and intimate as well. And although I liked the Ushers, I didn't like them enough to buy them.

The Piega's however rrrreally kicked serious arse (CL 70x). I fell in love with them and am so excited to have found a speaker that has that same transparency and cohesive sound as the Parsifals, but with a more forward, intimate and exciting presentation. Really awesome speakers, I can't wait to get them in my house.
I am glad you fond what you were looking for.
Which Ushers did you audition.....? and what was on the other end of the cable...? Just curious.
Cheers