What does listening to a speaker really tell us?

Mark me as a person who having once fallen for "look at the perfect sine wave this unit produces" eventually graduated to a more mature understanding of the audio ARTS in all their varied subjective splendor. The good news is that anyone, who got suckered on accuracy as an equilvalent of audio nirvana AND is willing to admit to it, merits an opportunity to explore the wonderful world of perception called musicality. Great topic!

So ignorance is bliss?

So, I hear a lot of people saying that the only thing that matters is whether the speakers (and the rest of the system) present a pleasureable experience. I guess what I was saying was that, if you do that, you have two variables in that equation: There is the quality of the performance and recording and the quality of the playback that influence one's experience. If your playback system is NOT absolutely transparent, and what your hearing is NOT a pleasureable experience, how do you know if it's your system or the performance/recording that's causing the displeasure? I would think one would like to put the burden on the performance/recording to meet our needs and use our system to prop them up.

Pawlowski,
I think that's exactly what has most listeners conclude that XYZ component/cable/system is the "best", because it makes the music sound the way they want to hear it. We are always the litmus test for the system AND the recording. And where do each of us purport to stand on that malleable scale of evaluation? At dead-center neutral. Our perspective always looks to be the most sensical, the one against which all others are measured generally as being equal to or less than. Add one more like-minded vote to our own and we have successfully converted opinion into fact. Or so we would like to believe.

Pawlowski I like your formula idea. Let's say Performance plus Recording plus Playback equals Experience. Which props up which? Maybe they're all interdependent. A purist might say let's get the Playback to be totally invisible, remove it from the equation, get it to approach zero. That's a comfortable concept, right? However a pragmatist might give Playback a positive value to enhance the likely outcome. A realist might rationalize the value of whatever he can afford. A hedonist might escape the equation and redefine the Experience. Obviously there's more than one way to dig in. So how's this for a new equation for how do we know? Experiment plus Observation equals Awareness.