Analog a dying breed


I spoke with a dealer today and we discussed the business of hi-end audio. He feels that in 10-15 years the analog market will not exist. He says the younger generation is
not interested in vinyl. Do you think this dealer is correct.
taters
Is anybody bothered by the fact that as far as new music is concerned the percentage of pure analog recordings is getting smaller and smaller. Even if the basic tracks are recorded on analog tape, the subsequent editing and some mixing is nearly always done digitally. The last Steely Dan recording, "Everything Must Go" is a good example. The basic tracks were recorded an 2" analog tape, but there was extensive editing with ProTools. The recent Ron Isley/Burt Bacharach "Here I Am" says it was recorded live at Capitol studios (on tape), but the production credits list a ProTools operator. I love vinyl, but the writing is on the wall.
Onhwy61,

Yeah, I can agree somewhat. The difference is that when using ProTools the sampling rate is off the chart. Now, if they could place that information on a shiny little disk they would have something. But no, they must have multiple layers/channels rather than offering a single higher resolution two channel format. Steely Dan, being as highly produced as they are, is one group that benefits from the exactness of digital editing. Neil Young abandoned using digital editing because it allowed the process to be taken too far (in his opinion) and therefore sucking the life out of the end result. Don't get mad at me. It's his opinion.
Lugnut, there are many versions and configurations of ProTools and they can run at sampling rates from 44kHz up to 192kHz. The earlier systems were 16 bit and generally were considered quite poor sounding. Newer systems are 24 bit and sound somewhat better. Still there has been a lively debate among engineers as to whether the internal PtoTools mix channels squash the sound quality of audio run through it. Many people actually edit within ProTools and then output to an analog desk for the actual mixing. Even with the added conversion stage(s) these people think the final mixes sound better than those done internally within ProTools.

Here's a link to a discussion forum hosted by George Massenburg about the negative effects of ProTools style manipulation on the quality of music prodction.

Sorry if I've gotten off topic.
For people who are into listening music in its most natural form especially for classical music. Vinyl playback offers much more long term satisfaction. I don't have a CD player and I don't intend to get one. I have listened to and auditioned numerous CD players without making the jump. The way I look at it is that a lot of people made a lot of money in creating a new product for people who wants conveniences and new technology. It is right for some people at sometime but not for all people at all time. That's what makes the world spins. The industy needed something to sell and it worked.
Eventually everyone's LP's will wear out (disregarding the very few new issues).