Isolation/coupling: basics?


I feel I need some education in this regard, and I guess I'm not alone... I read most of the discussions about it, but I couldn't find the basics: why?
Could anyone who understands the physics behind all this explain why those vibrations, resonances, and energies are that bad, especially for components without moving parts, such as amps?
dmitrydr
This is beginning to sound like the old "bits is bits" discussion. To the naive engineer (such as myself), the digitally encoded music signals would seem to avoid all the mechanical vibration issues which dominate analog turntable playback. Yet, there is a shocking difference in the sound of various CD players - error correction or not. The degree of vibration isolation in CD transports and players is a distinguishing product feature. In my experience, the sound of a CD player can be affected by vibration coupling or isolation - this has been reported by many people in these forums.

From my perspective, the effects of vibration on an audio system are undeniable and can be profound. What I would like is a "model" which correctly describes this. (Perhaps that was the question that started this post). Vibration can affect the analog circuits in a CD player, but how do they affect the digital stream or the DA conversion? Perhaps there is a mechanism for modulating the timing of the converted signal? Or are there also errors involved?
Sean...And I'm not saying that you are wrong either, (about sonic effects) but that the technical explanations which heve been put forward don't seem adequate. I will remain a skeptic until one of the following happens:
1. An objective test of some sort (I suggested one) shows that vibration affects the equipment (to an audible extent).
2. A terchnical explanation that I can't fault.

If I personally hear an effect, it will be hard for me to remain a skeptic, but I will try to do so because I know how easy it is to fool oneself.
So if you knew it were to vibrate and you knew of a way to direct the vibration away from its own self would you be inclined to dampen the initial vibrating device?...Tom
Vibration is bad, except in loudspeaker cones. Isolation and coupling are good. But at some point, the law of diminishing returns sets in. My equipment does not require the extreem measures which some other folk find necessary.
My 2 cents

1) I have observed that CD's copied at a higher speed are less reliable. I attribute this to the shorter amount of time the laser has to burn the pit into the substrate.

2) Much is made of the error correction affecting the sound in CD players. Unless your CDs are pretty beat up, I would guess the error correction is used far less than you think.

My first CD player was a McIntosh MCD7000 (mid 1980's). It had an indicator on the front that would light up EVERY TIME the player was interpolating data (correcting for an unreadable error). Even with that early transport (high speed transports for computers hadn't yet been invented) the light ALMOST NEVER came on. Maybe once every few CD's.

I attribute the differences in CD player sound to other issues, such as D/A's, analog output stages and jitter (another issue altogether - not related to error correction).