++++StereoPhile Class A components+++++


Any of you guys who have listened to more components than I have, or maybe anyone who has been in the industry: I see a lot of posts mentioning "stereophile class A " etc, so I assume this recommendation carries a lot of weight. (After purchasing my Audio PHysic Virgo II's, I saw that they were class A in stereophile, so I felt like I agreed with what they were saying.) Are the reviews completely independent? With the vast array of components out there, can they really cover all of them? Do you guys really agree with the class A and B thing? Thanks for the perspective....Mark
mythtrip
Socrates, some "pro" reviewers know what they write about, some don't. Just sticking with Stereophile, John Atkinson, for example, certainly knows his subject. Others are "pros" only because they are fun to read and somehow someone has paid them for what they have written, not because they have any relevant knowledge. There are more and more of these guys now, especially with the ezines.

Stereophile has in the last few years adopted an unfortunately misleading editorial policy with regard to its recommended list. They used to say that a recommendation required measurements or at least full reviews. Recently they have said that the recommendation of two writers is sufficient, and yet they include components in the recommended list that only "Sam Tellig" has reviewed. Even if you add someone else who has heard and recommends these components, all you add is another incompetent opinion. Why do I say that? Well, I am reminded every April and October of what he said in his review of the Kimber Silver Streak interconnect: "It's secret? Only the signal-carrying portion of the braid is silver - the returns are copper." If Kimber figured out how to get the signal to behave in that fashion, that is certainly still a secret.
Golden_ears wrote: "Actually, if a player breaks down more than once on the reviewer, (or if it is not a good product) there are two opinions on what should happen: - terminate the review process and send the designer back to the drawing board - publish the results....but that would kinda' mean."

You do not state which opinion is yours but the latter is Stereophile's policy. All failures, adjustments, returns and replacements are to be fully reported. Termination of the review process would deprive the reader of that valuable information. Don't you agree?
I have to agree with Kal, Sean - Stereophile has bored me to tears many times, as they must do on such occasions, with their detailed accounts of equipment failure and what it took to repair/circumvent the situation. Obviously, there's no way for the reader to know for sure that all of the reported incidents equal all the actual incidents, but given the extent of what's been printed in the mag through the years, there's really no reason for anyone to doubt that they're reporting everything worth mentioning.

As far as the manufacturer personally coming to a reviewer's home to make a fix - or to provide the even more common rendering of set-up assistance - you can legitimately argue those questions both ways, but I can understand the magazine's affirmative policy on this activity as a practical matter, and again, the evidence would seem to indicate that they always disclose such assistance to the reader. But: Does this practice run the risk of unduly influencing the reviewer's opinions (for either better or worse)? I think it certainly can, or at the very least it raises questions of appearances. The most effective way around that issue would probably be the termination of the whole manufacturer gear loan policy - something which could carry many advantages in theory, but which in practice the mags have always claimed they can't afford to do. Whether or not one believes that this claim always rings true - what with the advent of Audiogon among other factors - is another topic.

However, I have a very hard time understanding Stereophile's and the others' condoning of the practice of manufacturers wining and dining reviewers, separate checks or no, you-pay-this-time I-pay-next-time included. It's already impossible to prevent reviewers from being long-time acquaintances of various industry players (and reviewers ought to recuse themselves from covering gear manufactured by such 'friends') - the least the mags could do is draw the line on reviewers junketing around the world to be entertained by company heads. They could send non-reviewing reporters to cover stories on companies and factories, and limit the reviewers to the more impersonal interactions they maintain are necessary to conduct fair and informative reviews.
Well, as long as your family and friends aren't in the hi-fi manufacturing biz, I don't think we need go quite that far... ;^)